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Notes
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Contents indexed selectively.
Contents
* Contents derived from the 2019 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- The Girl Who Hugs Dogsi"The girl who hugs dogs", single work poetry (p. 32)
- The Promisei"Taller When Prone by Les Murray:", single work poetry (p. 38)
- Last Letter to Les Murrayi"Les, I’m writing to you", single work poetry (p. 39)
- Aloysius’s Lamenti"Master is gone; the Apprentice forlorn,", single work poetry (p. 40)
- Vale Les Murrayi"Not knowing any better", single work poetry (p. 40)
- The Pilgrimagei"Later, as we lost our way on the back roads", single work poetry (p. 41)
- When Reading Poetry by Les Murrayi"Everything is as expected, yet new;", single work poetry (p. 41)
- Bunyahi"Gold waistcoated, gliding", single work poetry (p. 42)
- Alas!i"A self-obsessed poet, the worst", single work poetry (p. 42)
- Les Murray Reads His Poetryi"A long time since I last saw him", single work poetry (p. 43)
- A Library Has Been Destroyedi"A library has been destroyed", single work poetry (p. 43)
- Les Murray Reading at the Midland City Halli"In Midland, he is on the prowl.", single work poetry (p. 43)
- Lesi"A tall tree", single work poetry (p. 44)
- This Silent Answeri"everywhere is here ...", single work poetry (p. 44)
- Style Notes #4i"Assessing my dress this a.m.", single work poetry (p. 57)
- At Crawleyi"These children playing", single work poetry (p. 62)
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When Katharine Brisbane Went to the Theatre,
single work
essay
(p. 83-86)'Katharine Brisbane became the national drama critic for the Australian in 1967. For the next seven years she put it all together, writing the story of Australian theatre as a new chapter in our cultural history, as if it were important. Published on the leader pages of a young, lively newspaper, she told her readers what was happening on stages around the country and furnished them with names worth remembering. It was exciting stuff, regular reports for an episodic serial recounting the irresistible rise of a new generation of theatre-makers as they bludgeoned their way from university stages into the soon-to-be-funded mainstream. Dear God, some of them are still there.' (Introduction)
- The 20s and 30si"When every Dan was dapper,", single work poetry (p. 86)
- John Whitworth (1945-2019), single work obituary (p. 87-88)
- Boy at the Bus Stopi"The young man found the crowded stop", single work poetry (p. 92)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 15 Mar 2021 10:31:16
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