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y separately published work icon Meanjin Online periodical issue  
Issue Details: First known date: 2021... 2021 of Meanjin Online est. 2009 Meanjin Online
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Contents

* Contents derived from the , 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Searching For The Melody, Rachel Jane Coghlan , single work essay
Note: January 19, 2021
The Gift, Eileen Chong , single work essay
Note: January 22, 2021
O Say Can You See (a Plea to Old Glory), Bruce Pascoe , single work prose
Note: January 25, 2021
What I’m Reading, Jennifer Down , single work column
Note: February 3, 2021
What If We Never Recover?, Lucia Osborne-Crowley , single work essay
Note: February 8, 2021
What I’m Reading, Roz Bellamy , single work column
Note: February 10, 2021
We Got This Lockdown, Mofo, Rachel Jane Coghlan , single work essay
Note: February 16, 2021
What I’m Reading, Alice Robinson , single work column
Note: February 17, 2021
Modes of Cleaning: Acts I–IIIi"Like curved eggs, they stoop", Wen-Juenn Lee , single work poetry
Noctiluca Scintillans, or Sea Sparklei"In it scales sparkle. Lilacs contour an", Nandini Shah , single work poetry
The Diet Coke Side of the Mooni"I saw an old friend today and then the moon", George Cox , single work poetry
The Case for China or a Self-obituary, Yu Ouyang , single work essay
Capital, Bruce Pascoe , single work essay

'The biggest difference between Australian Aboriginal people and non-Aboriginal people is their relation to capital. The land, the spirit and the economy were, and are, one entity for Aboriginal people. She is called Mother Earth.' (Introduction)

Jab (Sha’ara), Omar Sakr , single work essay

'The TV won’t stop jabbering; even while muted, captions blare. The phone won’t stop prophesying doom; the computer is its own cacophony; the Kindle idles; I move between devices like an old dog desperate for reassurance. Take all the power away and still I can’t turn off—not while an invisible killer is invisibly everywhere, which is a feeling I have had for as long as I can remember. It’s on everyone’s lips, this stupid language. I’m a poet and I shouldn’t be exhausted by what fuels me—speech, where it meets song—yet I long for silence or at least an unexpected sound. Anything other than another day of jabs. The metaphor here is a fist. Line up for your quick, sharp blow. Do not duck or weave. Resist a lifetime of conditioning. It was developed in a lab. Get it at the chemist, or your local GP, or pop-up jab hub. Your life, our lives, depend on it. Copping the hit. Coppers everywhere. On horses, in helicopters, heaped around our houses. You know the ones. Go get jabbed. We don’t have enough fists, we don’t have enough jobs. Everyone is essential. Except for the usual exceptions, of course. You know the ones.' (Introduction)

Certainty, Maxine Beneba Clarke , single work essay
Tracking Dark Emu, Henry Reynolds , single work essay

'The Uluru Statement from the Heart of May 2017 was addressed to the people of Australia from 250 delegates ‘coming from all points of the southern sky’. While clearly a political manifesto, it embodied significant assertions about both history and law, declaring that the Aboriginal and Torres Strait Islander tribes were the ‘first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs’. This sovereignty, the statement continued, ‘has never been ceded or extinguished, and co-exists with the sovereignty of the Crown’. How could it be otherwise, the delegates asked, ‘that peoples possessed a land for 60 millennia and this sacred link disappears from world history in merely the last two hundred years?’'  (Introduction)

The Tale of Lake Pedder, Danielle Wood , single work essay

'There are paintings one looks at, or perhaps into, and then there are paintings that one looks through—more like a window or portal. On my dining room wall there hangs such an artwork, a watercolour painted en plein air at Lake Pedder’s beach in the year before I was born. It takes me there, to the place in the dunes where Max Angus sat at his easel and mixed on his palette the dusky mauves and pinks of that legendary sand, and prepared the tiny quantity of smoky blue needed to depict the band of lake water on the horizon. It takes me also to that day in 1971 when Max Angus was painting in the hope that capturing the beauty before him might somehow contribute to its salvation.'  (Introduction)

Moonah Mind, Gregory Day , single work essay

'My life was confusing, I felt tangled as the moonahs, nothing so organised and purposeful as a coherent essay would evince. And yet, the tangle of those trees right there, the copse of moonahs I was thinking of, and writing beside, was beautiful for all its tangle. Its weird and wonderful shapes and sinuosities.'  (Introduction)

Soar, Karen Wyld , single work essay

'The challenge was to pick a word. Any word.

'Many came to mind. Words that sparked narratives that quickly became pieces about the pandemic. I really didn’t want to write about COVID-19. As much as I resisted, all words led there eventually. Even the word soar. So be it.'  (Introduction)

Homework, Sylvia Martin , single work essay

'In the age of COVID-19, ‘working from home’ and ‘home schooling’ have become part of the Australian lexicon in a way that has never happened before. Working parents often have to juggle both of these activities during lockdowns, undertaking the paid work they would normally do outside the home (if they have jobs that make that possible) as well as supervising the lessons provided remotely by their children’s teachers. The domestic duties necessary to keep a home running need to be maintained and, as ever, research shows it is women who disproportionately bear the greater burden.'  (Introduction)

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