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Issue Details: First known date: 2019... 2019 The Vessel of Robert Crofts: Autobiographical Fiction as a Palimpsest
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'The Passage of Love opens with first-person modern-day Robert Crofts, who at the end of his career as a writer is struggling to find the creative impulse for his next book. He visits a women's prison to give a talk and is captivated by a particular inmate who explains his previous work to him, saying, "I thought he was explaining himself to his mother as a way of explaining himself to himself" (12). This is an on-ramp to what the bulk of the novel will grapple with: Robert Crofts telling himself his own story.' (Introduction)

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    y separately published work icon Antipodes vol. 33 no. 1 June 2019 20294120 2019 periodical issue

    'This current issue of Antipodes fittingly represents the work of the three editors who have guided the journal's production in the past year or so. Volume 32 (2018), a double issue, marked the official end of Nicholas Birns's eighteen-year tenure as editor of Antipodes, and as that volume came to production, Belinda Wheeler lent a diligent hand and a keen eye to the publication of the double issue. An essay or two approved by Nicholas has made its way into the current issue (33.1), with Belinda acquiring many of the essays in this issue. Belinda also provided the editorial guidance for the special section on the work of Alexis Wright. It is from the capable hands of Nicholas and Belinda that I take the reins of the journal Antipodes, with a well-mapped path behind and an open road ahead.' (Brenda Machosky, Editorial introduction)

    2019
    pg. 174-176
Last amended 2 Oct 2020 12:16:31
174-176 The Vessel of Robert Crofts: Autobiographical Fiction as a Palimpsestsmall AustLit logo Antipodes
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