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'In this essay I concentrate on the elegiac poetry of the Australian poet Dennis Haskell. I argue that the emphasis in Haskell’s work on the quotidian, clarity of expression and the communication of emotion, has a material effect on the ways in which Haskell approaches the elegiac project: the poetic expression of grief in the face of loss. In the essay I identify three main classes of elegy in Haskell’s oeuvre: elegies for fellow poets (which, after Lawrence Lipking, I call “tombeaux”); the familial elegy; and the spousal elegy. Haskell’s engagement with the genre of the elegy therefore occupies a spectrum between what might be termed “public” elegies, and “intimate” elegies. As I discuss, the intimate elegies indicate a more profound, and sometimes troubled, engagement with the genre of elegy, tipping on occasion in anti -elegy and self-elegy. By undertaking textual analyses of various poems from within the three classes of elegy practised by Haskell, I illustrate the different ways in which he deals with one of the most profound problems that faces an elegist: how to express the profound emotion of grief through the affordances of poetic stylisation.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 4 Feb 2020 13:09:50
19-35
https://journals.iium.edu.my/asiatic/index.php/AJELL/article/view/1661/920
The Poetry of Dennis Haskell : Stylisation and Elegy
Asiatic
Subjects:
- Listening at Night 1984 selected work poetry
- Abracadabra 1993 selected work poetry
- The Ghost Names Sing : Poems 1997 selected work poetry
- All the Time in the World 2006 selected work poetry
- Ahead of Us 2016 selected work poetry
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