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Issue Details: First known date: 2019... 2019 When ‘I’ Is Me : an Author in Search of His Character
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AbstractHistoryArchive Description

'As a writer, I have no qualms about drawing from my life to fuel my creative practice, though I adhere to some rules: like Brien (2002), I am guided by ‘a sincere desire to tell the truth’. It is in this manner that I have sometimes used myself as a character in works of fiction, as in ‘Letter to my children’ (in Fisher 2013a) and ‘Into the light’ (Fisher 2008). In these works, I refer to the sexual assault and subsequent suicide attempt I experienced in 1973 when I was 18. Some readers have objected to my classification of these works as fiction, arguing that I was writing non-fiction, memoir or biography. My counterpoint, however, is that these stories are not recounts of what actually happened but my imagined narratives using actual events for their framework; they are my sincere attempts to tell a story I still find difficult to comprehend nearly fifty years later. Undoubtedly, some of my unconscious motivation was therapeutic. Like Gandolfo (2014), ‘there were certainly benefits at a personal level from going through the difficult process of turning that experience into fiction’. Nevertheless, consciously I was attempting to write narratives with content and themes relatively uncommon in literature when I was that 18 year old; that is, I was exploring my deviance from the norm, as my sexuality was described to 18 year old me by a well-meaning psychiatrist.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT : The Journal of the Australian Association of Writing Programs vol. 23 no. 2 October 2019 18276038 2019 periodical issue

    'The October 2019 edition includes scholarly contributions that espouse a wide variety of relationships between form, function and the writer – from the literary fragment, poetic form and interpretation, essaying with food waste, and explorations of narrated futures of place, to error, failure and the past self as ‘other’ in memoir, the contemporising of medieval forms, and a revision of screenwriting pedagogy.' (Ross Watkins and Julienne van Loon, Editorial.

    2019
Last amended 15 Nov 2019 09:07:00
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