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Issue Details: First known date: 2019... 2019 Introduction to Caren Florance’s Lost in Case
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AbstractHistoryArchive Description

'Caren Florance works in the Venn overlaps of text art, visual poetry and creative publishing. Her work is hard to pin down, principally because the artist herself is not interested in a static outcome. Much of the work appears as a flux, a process or a continuum along a moving line that often explores language and our usage of it.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Peach no. 93 1 November 2019 18254519 2019 periodical issue

    'On 23 April 1979, Blair Peach, a teacher from New Zealand, was killed by a blow to the head delivered by an officer of the Metropolitan Police Force Special Patrol Group (SPG). He had been demonstrating against a meeting to be held by the Nazi National Front (NF) in Southall, West London.

    'Peach did not set out to be a martyr. He did not set out to die. His acting in solidarity with the community under attack that day was probably, had it not been for his death, as unremarkable as his less recollected actions, such as spending nights on the cold, wet street corners of Brick Lane to prevent the NF from holding paper sales. Yet the tragedy of his death, compounded by the ensuing miscarriage of justice, has been remembered as a galvanising moment of anti-racism in the UK, and has inspired a number of poetic works, including Linton Kwesi Johnson’s ‘Reggae fi Peach’, Bhanu Kapil’s Ban en banlieue, and Chris Searle’s edited collection One for Blair. In the early 1980s a Southall primary school was named after Peach. A touching tribute. Naming is touching. To name is to touch.' ( Lucy Van, Ling Toong and George Mouratidis, Editorial introduction)

    2019
  • Appears in:
    y separately published work icon Lost in Case Caren Florance , Melbourne : Cordite Press , 2019 18262873 2019 selected work poetry

    'Poetry. Women's Studies. LGBTQIA Studies. Art. "Are you feeling helpless and angry? I am. I'm having a quiet rage against the material and immaterial machine. Thank you for holding me. This book is a shard of frustration. It's a place to process emotion. Angry and curious, I recently dived into some dark online spaces that I hope one day will be lost, and documented words and phrases used about and against women. I'm working with the concept of printing itself: its terminology and actions are historically drawn from the human body. As an experimental letterpress printer, I often use words to give paper a hard time, and the audience can usually witness the marks left by my processes. In this physical book I have had to think flatter, within the restrictions of contemporary digital print processes." Caren Florance' (Publication summary)

    Melbourne : Cordite Press , 2019
Last amended 13 Nov 2019 11:26:47
http://cordite.org.au/guncotton/gardner-florance/ Introduction to Caren Florance’s Lost in Casesmall AustLit logo Cordite Poetry Review
Introduction to Caren Florance’s Lost in Casesmall AustLit logo
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