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Honey sequence   poetry  
Issue Details: First known date: 2019... 2019 Honey
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Includes

Hypothesis i "Father (f) (h) (ch) ucks mother", Alice Savona , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
Materials i "Me, A. (1972) Cell Suck", Alice Savona , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
Method Alice Savona , 2019 sequence poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
Results i "Me, A. (2019→) I love people so they’ll do what I want.", Alice Savona , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
Discussion i "We progress, our folio of bruises", Alice Savona , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
Conclusion i "Divorce appealed for its dissociative, so was shortlisted.", Alice Savona , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Peach no. 93 1 November 2019 18254519 2019 periodical issue

    'On 23 April 1979, Blair Peach, a teacher from New Zealand, was killed by a blow to the head delivered by an officer of the Metropolitan Police Force Special Patrol Group (SPG). He had been demonstrating against a meeting to be held by the Nazi National Front (NF) in Southall, West London.

    'Peach did not set out to be a martyr. He did not set out to die. His acting in solidarity with the community under attack that day was probably, had it not been for his death, as unremarkable as his less recollected actions, such as spending nights on the cold, wet street corners of Brick Lane to prevent the NF from holding paper sales. Yet the tragedy of his death, compounded by the ensuing miscarriage of justice, has been remembered as a galvanising moment of anti-racism in the UK, and has inspired a number of poetic works, including Linton Kwesi Johnson’s ‘Reggae fi Peach’, Bhanu Kapil’s Ban en banlieue, and Chris Searle’s edited collection One for Blair. In the early 1980s a Southall primary school was named after Peach. A touching tribute. Naming is touching. To name is to touch.' ( Lucy Van, Ling Toong and George Mouratidis, Editorial introduction)

    2019
  • Appears in:
    y separately published work icon In Your Hands The Red Room Company , Sydney : The Red Room Company , 2020 21414272 2020 anthology poetry 'What is a poet without an audience? What is a new book without hands to hold it up to the light? The outbreak of COVID-19 has meant the cancellation of live poetry events and writing festivals Australia wide, resulting in many poets and their publishers losing income and key opportunities to showcase new work, not to mention build readerships and celebrate the words beyond print.
     
    'To offer a little relief in response to this, Red Room Poetry and Oranges & Sardines Foundation have collaborated to create In Your Hands – a free digital collection featuring 80 poems by poets whose recent, current or forthcoming release has been directly affected by the closure of live events. All poets are paid for their contribution to In Your Hands and the collection encourages audiences to buy copies of the books.' (Publication summary)
    Sydney : The Red Room Company , 2020
    pg. 103-105
Last amended 24 Mar 2021 12:25:43
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