AustLit logo
Issue Details: First known date: 2019... 2019 The Stump : Looking Back on the Republic of Murray
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'When monuments fall, they create ripples, shockwaves, fragments, pyroclastic flow – pick your metaphor. Les Murray was definitely that. Over his long career, he produced more poetry, more critically well-regarded poetry, and – stranger still – more commercially profitable poetry than pretty much anyone else in the Australian landscape. Unlike the famous expatriate coterie of his peers (Peter Porter, Germaine Greer, Robert Hughes, Clive James and so forth), he did it mostly from his own paddock, without modulating his principles to fashion or his prejudices to progress. You could think of Murray as the problematic old bastard grandad some of us had, if he’d been an internationally renowned poet. Structurally rarer, Murray’s work created and sustained an entire idea or moment or myth of Australia pretty much on its own. Let’s be blunt, there just aren’t that many writers who can pull off a feat of that magnitude.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 27 Jun 2019 09:01:00 The Stump : Looking Back on the Republic of Murraysmall AustLit logo Overland [Online]
    Powered by Trove