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'IN March 2010 at the Museum of Modern Art in New York City, the Serbian artist, Marina Abramović, takes a seat in a simple wooden chair under bright theatre lights. Across from her, over a wooden table, is a space for prospective participants to join her extraordinary performance art piece The Artist is Present. She waits silently for an observer to become a partaker; she will connect with them through nothing but a gaze.'
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