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Issue Details: First known date: 2019... 2019 ‘That Is Some Crafty Bite’ : Trisha Pender Interviews Melinda Bufton
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'In her eagerly awaited second collection, Superette (Puncher & Wattman, 2018), Melinda Bufton delivers dramatically on the promise announced in her 2014 debut, Girlery (Inken Publisch, 2014). Girlery performs a provocative en guard to a literary culture overly sanguine in its dismissal of all things ‘girl’. In it, Bufton subverts the charges of superficiality and irrelevance that are often levelled at the popular culture of girls and instead celebrates this culture in loving, defiant detail. Fans of Bufton’s poetry, among whom I happily count myself, will be delighted to know that her second collection does not tone down, or retreat from, the concerns of her first. If anything, this collection is louder, smarter, deeper, and more glorious. Superette is Girlery’s dark and dangerous big sister.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Monster no. 91 May 2019 16551150 2019 periodical issue

    'I’m writing this after news that W S Merwin has died. His Selected Poems still sits on my bedside table, never far away in case of a spare moment. The poem ‘Leviathan’, was something of an inspiration for this issue, a rolling, musical masterpiece that echoes, for me at least, Tennyson’s ‘The Kraken’. It was first published in Merwin’s Green with Beasts in 1956, and speaks with memorable power and control, like Darth Vader.' (Nathan Curnow : Editorial introduction)

    2019
Last amended 16 May 2019 15:18:52
Subjects:
  • Superette Melinda Bufton , 2018 selected work poetry
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