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Of the Name single work   autobiography  
Issue Details: First known date: 2019... 2019 Of the Name
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AbstractHistoryArchive Description

'From a young age, names preoccupied me. As a child I didn’t like my name and I would often daydream about changing it. Na’ama (in Hebrew, נעמה (was too heavy for me. The lips must be open for too long to speak it, the tongue pressed to the floor of the mouth, held down by the weight of the letters. ‘Na’ama’ requires work. It weighed on my small child body, too old-fashioned, too long, too heavy. I wanted something lighter, a name one can speak with ease. As a pastime, I’d try other names for size. When I read a book, I would sink into the sound of the protagonist’s name. Most often I would dream about being called ‘Shir’ (Hebrew, שיר ,(which, in Hebrew, means ‘song’. Shir is light and short; it doesn’t demand the same contortion of lips and mouth as Na’ama does. It can be spoken with tenderness. One can’t say ‘Shir’ without breaking into a smile.' (Introduction)

Notes

  • Dedication: dedicated to Andrew Metcalfe, with love.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Meanjin vol. 78 no. 1 Autumn 2019 16531898 2019 periodical issue

    'We were just a little surprised when the Australia Council said yes. But then a year later—as you were—they said no.

    'Three years back, when the council redrew the map of arts funding, Meanjin lost its rolling three-year key organisation grant, a pattern that had allowed if not luxury then a degree of certainty. Money was the root of it all: the council’s budget had been gutted and cuts had to be made. Whatever discomforting ripples were felt through opera, ballet and theatre companies had become a toxic trickle by the time the tide of change made its way down the funding food chain to bodies whose business was literature.' (Jonathan Green, Introduction)

    2019
    pg. 66-72
Last amended 15 Sep 2021 07:50:55
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