AustLit

'There has been a long and often troubled history of poets writing novels and novelists writing poetry. The skills needed are very different and equally hard to learn. Few writers have made equal careers in both. If they do, it’s usually the novels that receive most attention. (Margaret Atwood and Michael Ondaatje spring to mind.) Many major novelists, however, had some poetry among their early work. F. Scott Fitzgerald and William Faulkner started penning Keats imitations. Some novelists, like David Foster, have put out a book of poetry, had it negatively reviewed, and have then returned, with some chagrin, to prose. Similarly, some poets’ novels are dismissed for their ‘poetic prose’. There is a strong tendency among poets and novelists (even among their reviewers) to ‘protect their own turf’, as it were.' (Introduction)

'Novelist and academic Julienne van Loon does not doubt that the thinking woman is ‘alive and well’, but when she scans the (mostly) male names in bookstore philosophy sections and the (mostly) male staff lists of university philosophy departments, she wonders where they are hiding. Some, van Loon contends, were cast out from ‘capital-p Philosophy’ or were never admitted in the first place. Many, she notes wryly, are simply having a better time elsewhere. The Thinking Woman is van Loon’s attempt to draw attention to the careers and contributions of leading female philosophers, while using their ideas to flesh out what constitutes a good life for women. What are the necessary material and emotional requirements for women to live fulfilling lives? And how are these lives circumscribed by misogyny and gender inequality?' (Introduction)

'As the United States tears itself to pieces over a proposed wall, which has in recent months transmogrified into a steel fence, here in Australia we have no right to be smug or to rubberneck. After all, Australia loves its fences. Since it was first occupied as a penal colony, this land has been bisected by a seemingly endless series of enclosures, barricades, frontiers, and fences, including some of the longest in the world: the rabbit-proof fence in Western Australia; and the dingo fence in the Eastern states. Fences, both physical and symbolic, have long been used by our leaders to banish undesirables or to constrain their movement within acceptable boundaries. Various Australian governments have forcibly removed Indigenous Australians to reserves and missions, interned so-called ‘enemy aliens’ within camps during wartime, and detained those fleeing danger or tyranny abroad within remote and offshore prisons.' (Introduction)

'Last year in New York, I visited the Mysterious Bookshop, Manhattan’s only bookstore specialising in crime fiction. The otherwise knowledgeable bookseller had heard of three Australian crime novelists: Peter Temple, Garry Disher, and Jane Harper.

'If I were to visit this year, however, I’m pretty sure the bookseller would be able to add more Australian novelists to his list – the multi-award-winning author Emma Viskic for one, along with Dervla McTiernan and Candice Fox. Fox has become an internationally bestselling author, a success amplified by her four parallel collaborations with James Patterson, one of which hit number one on the New York Times bestseller list. McTiernan’s 2018 début, The Ruin, was both a critical and commercial success in Australia and overseas, garnering praise from fellow writers, critics, and fans alike for the Ireland-set novel’s clear-eyed style and deep characterisation.' (Introduction)