AustLit logo

AustLit

image of person or book cover 9205593934514635505.jpg
Image courtesy of publisher's website.
y separately published work icon Mary Stuart single work   drama  
Adaptation of Mary Stuart Friedrich Schiller , 1800 single work drama
Issue Details: First known date: 2019... 2019 Mary Stuart
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Two queens. One crown.

'One of history’s great rivalries. A battle of wits, blood and broken hearts, now reinvented for the stage in majestic scale – the iconic tale of Mary, Queen of Scots and Elizabeth I of England.

'Caroline Brazier (Dinner, ABC’s Rake) is Mary and Helen Thomson (The Harp in the South) is Elizabeth. Two flawed and fascinating women locked in a monumental, murderous feud. The stakes couldn’t be higher. An empire is in jeopardy. A queen’s life hangs in the balance.

'This world premiere production is a finely-tuned spectacle. Guided by award-winning director Lee Lewis, the creative team bring outstanding female perspective and wit to this new adaptation by Kate Mulvany (The Harp in the South). Opulent period-inspired costume and ingenious design reveal both the grandeur and danger of Elizabethan England.

'With plot twists and political intrigue, Mary Stuart transcends its 16th century origins. Based in historical truth, the story is punctuated with an extraordinary and pivotal imagined event; a face-to-face meeting between the two queens. They are each other’s equal – smart, strong, sexy and determined to survive. These heroines were our feminist forbears.

'Following an uprising, Mary has fled Scotland only to be imprisoned in England. Elizabeth feels threatened – Mary is younger, more beloved, and with her own claim to the throne.

'In a world dominated by double-crossing men, these remarkable monarchs scheme and struggle to hold on to power. Do they have more in common than they realise? In another life, another time, the cousins might have been friends. The question now is whether Elizabeth will release Mary – or execute her.' (Production summary)

Production Details

  • Sydney Theatre Company world premiere at Roslyn Packer Theatre, Walsh Bay, New South Wales : 5 February - 2 March 2019.


    Presented by Performing Lines WA at the Heath Ledger Theatre, Perth, 9 - 26 February 2022, as part of the Perth Festival.

    Director: Mel Cantwell.

    Designers: Bruce McKinven & Amalia Lambert.

    Lighting Designer: Matthew Marshall.

    Composer: Rachael Dease.

    Sound Designer: Georgia Snudden.

    Cast: Kate Walsh, Caroline Brazier, Humphrey Bower, Raj Labade, Kyle Morrison, Igor Sas, George Shevtsov, Dalip Sondhi, Peter Holland, Angelina Curtis.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2019
    • Strawberry Hills, Inner Sydney, Sydney, New South Wales,: Currency Press , 2020 .
      image of person or book cover 9205593934514635505.jpg
      Image courtesy of publisher's website.
      Extent: 82p.
      Note/s:
      • Published: 16th September 2020
      ISBN: 9781760622923

Works about this Work

Mary Stuart Retelling Gives Queens Meatier Identities John McCallum , 2019 single work review
— Appears in: The Australian , 11 February 2019; (p. 15)

— Review of Mary Stuart Kate Mulvany , 2019 single work drama

'This is a highly original and quite thrilling adaptation of Friedrich Schiller’s 1800 play. It reminds us that when we revive a classic we should not ask how we do justice to it, but what’s in it for us. Kate Mulvany has taken this epic tragedy about the conflict between Elizabeth I and Mary Queen of Scots and turned it on its head.' (Introduction) 

STC’s Mary Stuart Harry Windsor , 2019 single work column
— Appears in: The Saturday Paper , 16-22 February 2019;

'Kate Mulvany’s adaptation of Mary Stuartshares with the recent film starring Saoirse Ronan and Margot Robbie a desire to portray rival monarchs Mary and Elizabeth I as sisters pitted against each other by the patriarchy.' (Introduction)

Mary Stuart Retelling Gives Queens Meatier Identities John McCallum , 2019 single work review
— Appears in: The Australian , 11 February 2019; (p. 15)

— Review of Mary Stuart Kate Mulvany , 2019 single work drama

'This is a highly original and quite thrilling adaptation of Friedrich Schiller’s 1800 play. It reminds us that when we revive a classic we should not ask how we do justice to it, but what’s in it for us. Kate Mulvany has taken this epic tragedy about the conflict between Elizabeth I and Mary Queen of Scots and turned it on its head.' (Introduction) 

STC’s Mary Stuart Harry Windsor , 2019 single work column
— Appears in: The Saturday Paper , 16-22 February 2019;

'Kate Mulvany’s adaptation of Mary Stuartshares with the recent film starring Saoirse Ronan and Margot Robbie a desire to portray rival monarchs Mary and Elizabeth I as sisters pitted against each other by the patriarchy.' (Introduction)

Last amended 31 Mar 2022 16:23:30
X