AustLit

'When Doris Kartinyeri was a month old, her mother died. The family gathered to mourn their loss and welcome the new baby home. But Doris never arrived to live with her family - she was stolen from the hospital and placed in Colebrook Home, where she stayed for the next fourteen years.

The legacy of being a member of the Stolen Generations continued for Doris as she was placed in white homes as a virtual slave, struggled through relationships and suffered with anxiety and mental illness.

'In her memoir Too Afraid to Cry, published in 2013, Indigenous poet Ali Cobby Eckermann related how she had been tricked away from her mother as a baby, repeating the trauma her mother had suffered when she was taken from her grandmother many years before. Eckermann in turn had to give her own child up for adoption. In her new poetry collection, Inside my Mother, she explores the distance between the generations created by such experiences, felt as an interminable void in its darkest aspects, marked by sadness, withdrawal, yearning and mistrust, but in other ways a magical place ‘beyond the imagination’, lit by dreams and visions of startling intensity, populated by symbolic presences and scenes of ritual and commemoration, chief amongst them the separation and reunion of mother and child.

'"Took the Children Away", is a moving indictment of the treatment of indigenous children from the 'Stolen Generation' and a song which 'struck a chord' not only among the wider Aboriginal community, but also nationally. The song was awarded two ARIA Awards, as well as an international Human Rights Achievement Award, the first time this had been awarded to a songwriter because of a song. The album it came from featured in Rolling Stone magazine's Top 100 Albums for 1992.

Kimberley Calling tells the story of Dan Sultan finding the grave of his maternal grandmother in Western Australia's Kimberley region, a woman he never knew after his mother was taken from her parents as a child.