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Issue Details: First known date: 2017... 2017 Traversing 'The Same Extreme Country' in The Watch Tower and Daniel Deronda
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AbstractHistoryArchive Description

Over the course of 1961, the New Yorker published Hannah Arendt’s reports on the trial of Nazi war criminal Adolf Eichmann. Her articles would give rise to a controversy in which Arendt would lose friends, as well as the support of many in the Jewish community. They also gave rise to one of the most significant philosophical concepts to emerge in the aftermath of the Holocaust: the idea of the banality of evil. Arendt painted a picture of Eichmann as a bureaucrat and a follower, who committed atrocities not out of ideology or hatred, but rather through a pronounced inability to think for himself. She writes,

[I]t would have been very comforting indeed to believe that Eichmann was a monster, even though if he had been Israel’s case against him would have collapsed or, at the very least, lost all interest. Surely, one can hardly call upon the whole world and gather correspondents from the four corners of the earth in order to display Bluebeard in the dock. The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were and still are, terribly and terrifyingly normal.' (Introduction)

Notes

  • Also discusses George Eliot's Daniel Deronda.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Elizabeth Harrower : Critical Essays Elizabeth McMahon (editor), Brigitta Olubas (editor), Sydney : Sydney University Press , 2017 12996118 2017 anthology criticism

    'In 2014, four decades after it was written, Elizabeth Harrower's novel In Certain Circles was published to much anticipation. In 1971, it had been withdrawn by the author shortly before its planned publication. The novel's rediscovery sparked a revival of international interest in Harrower's work, with the republication of her previous novels and, in 2015, the appearance of her first new work in nearly four decades.

    'Elizabeth Harrower: Critical Essays is the first collection of critical writing on Harrower's fiction. It includes eloquent tributes by two acclaimed contemporary novelists, Michelle de Kretser and Fiona McFarlane, and essays by leading critics of Australian literature. They consider Harrower's treatment of time and place; her depiction of women, men, and their interactions in the mid twentieth century; her engagement with world history; and her nimble, complex, profoundly modern approach to plot, character and genre. Together they offer new insights into a writer at the crossroads of modernism and postmodernism, and invite readers to read and re-read Harrower's work in a new light.' (Publication summary) 

    Sydney : Sydney University Press , 2017
    pg. 123-136
Last amended 23 Jul 2020 13:23:47
123-136 Traversing 'The Same Extreme Country' in The Watch Tower and Daniel Derondasmall AustLit logo
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