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Issue Details: First known date: 2018... 2018 "Infinite Shall Never Meet" : Perspective in Martin Johnston's "In the Refectory of the Ognissanti"
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'Martin Johnston's late poem,"In the Refectory of the Ognissanti", is considered in particular relation to Yves Bonnefoy's conception of perspective in The Arriere-pays (2012) and related essays, and in the light of Modernist re-evaluations of perspective in non-Euclidean geometry. The elegaic concerns of the work are foregrounded in relation to Christopher Pollnitz's characterisation of Johnston as a "new Mannerist" poet, with the poem distinguished from apparently similar postmodern poems in this style, such as those of John Ashbery.' (Publication abstract)

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  • Appears in:
    y separately published work icon JASAL Late Night Nerves : Poets of the 1980s and 90s vol. 2 no. 18 Michael Farrell (editor), 2018 15402884 2018 periodical issue

    'The title allusion is to ‘Death, an Ode,’ by John Forbes, who died in 1998. The ‘nerves’ referred to in the poem are directed towards the advent of ‘our beautiful century,’ meaning the twentieth. Most of the poet subjects in this feature did not get to see how beautiful the twentyfirst is. The articles that follow are responses to a request for essays on the poets and poetry of the 1980s and 90s: there was no suggestion they all be about the dead. But that is what happened.' (Michael Farrell : Introduction)

    2018
Last amended 11 Jan 2019 11:55:50
https://openjournals.library.sydney.edu.au/index.php/JASAL/article/view/11738 "Infinite Shall Never Meet" : Perspective in Martin Johnston's "In the Refectory of the Ognissanti"small AustLit logo JASAL
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