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Polyphony single work   essay  
Issue Details: First known date: 2019... 2019 Polyphony
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AbstractHistoryArchive Description

'Virtuosic performance text, palimpsest of a nineteenth-century Russian folktale, and a merciless and often very funny sectioning of the self, Ania Walwicz’s horse enacts what it names: ‘Polyphony as identity’. The narrative more or less follows the story of The Little Humpbacked Horse by Piotr Jerszow, in which a magical horse repeatedly helps Ivan, a foolish young farm boy, towards his fairy-tale ending. In Walwicz’s wilder and more fragmentary retelling, the protagonist’s identity comprises both horse and rider, tsar and groom, tyrant and the tyrannised, abused child and academic, the self of fiction and the ‘autobiographical’. The effect is almost Cubist, in that all of these facets are visible without becoming a settled, realist literary image.'  (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Book Review ABR no. 408 January / February 2019 15390593 2019 periodical issue 2019 pg. 33
Last amended 8 Jan 2019 11:12:24
33 Polyphonysmall AustLit logo Australian Book Review
Subjects:
  • Horse Ania Walwicz , 2018 single work prose
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