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Issue Details: First known date: 2018... 2018 Bestsellers, Modest Sellers and Commercial Failures : The Postwar Years
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AbstractHistoryArchive Description

'Previous chapters have demonstrated the presence of Australian novels in American print culture from the small-scale, low -key importation of British sheets for rebinding and local distribution, to the large-scale manufacture of copyrighted American editions, extended by book club circulation or reprints, sometimes with sales of hundreds of thousands of copies. Over time, Australian authors contributed to a wide variety of markets: nineteenth-century romance and pioneering narratives; a genre system that sought tales of detection, sensation, and romantic love; and more serious fare in the form of historical sagas that were taken as a sign of the emergence of a distinct and distinguished national literature. With writers such as Henry Handel Richardson, Eleanor Dark, Christina Stead and Patrick White, certain Australian novels could occasionally find a more prominent and recognisable place in the conversations of New York's book culture.' (Introduction)

Notes

  • Epigraph: "The Yank literary market is absolutely the best in the whole blinkin' world."—Henry Lomond, 1945

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Books and Authors in the American Marketplace : 1840s-1940s David Carter , Roger Osborne , Sydney : Sydney University Press , 2018 14035789 2018 multi chapter work criticism biography

    'Australian Books and Authors in the American Marketplace 1840s—1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures.

    Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets.

    Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.' (Source: Publisher's blurb)

    Sydney : Sydney University Press , 2018
    pg. 313-340
Last amended 19 Nov 2018 13:24:51
313-340 Bestsellers, Modest Sellers and Commercial Failures : The Postwar Yearssmall AustLit logo
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