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Issue Details: First known date: 2018... 2018 "Australia Is Very American" : Australian Historical Fiction in America 1920s-1940s
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AbstractHistoryArchive Description

The previous chapter revealed how, in the early 1930s, Norton's publication of Henry Handel Richardson s Ultima Thule and the Fortunes of Richard Mahony trilogy brought Australia and its literature "deep into the consciousness of reading America' The impact of Richardson's novels was strengthened by the appearance of Katharine Susannah Prichard's Coonardoo in 1930 from the same publisher. Richardson's and Prichard's novels were in fact part of a longer sequence of ambitious Australian works published in the United States from the late 1920s to the mid 1940s. In contrast to the decline in the number of Australian novels published in America across the first three decades of the twentieth century, at the very end of the 1920s we begin to see a cluster of substantial novels appearing together - and being brought together by reviewers. Fiction publishing in general in the United States grew rapidly from a low point in 1919 to a peak in 1929; the number of titles dipped slightly through the Depression years but high levels continued until the early forties. Against this background, the pattern of publication and increased receptivity for Australian novels was sustained until the mid-forties, but with little continuity into the postwar years when many writers had, in effect, to begin again in establishing the viability of Australian work in the American marketplace. There is, then, a relatively discrete historical trajectory across the two decades from the late twenties, emerging from almost nothing and collapsing in the later forties as both cultural and industrial circumstances change.' (Introduction)

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    y separately published work icon Australian Books and Authors in the American Marketplace : 1840s-1940s David Carter , Roger Osborne , Sydney : Sydney University Press , 2018 14035789 2018 multi chapter work criticism biography

    'Australian Books and Authors in the American Marketplace 1840s—1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures.

    Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets.

    Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.' (Source: Publisher's blurb)

    Sydney : Sydney University Press , 2018
    pg. 231-270
Last amended 19 Nov 2018 13:16:03
231-270 "Australia Is Very American" : Australian Historical Fiction in America 1920s-1940ssmall AustLit logo
  • c
    United States of America (USA),
  • 1920-1949
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