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Issue Details: First known date: 2018... 2018 In Conversation with Ivan Sen
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'This article is an edited transcript of The Films of Ivan Sen symposium, convened and chaired by Susan Thwaites at University of Canberra on 10 July 2015.'

'Ivan Sen is an important figure in what has been called the Blak Wave in Australian cinema — the rise over the last few decades of a growing number of talented Indigenous filmmakers who are redefining long-held conceptions about Australian cinema. Since his first feature, Beneath Clouds (2002), Sen’s films have won numerous awards, nationally and internationally, and received widespread critical acclaim. The symposium was a rare opportunity for an in-depth discussion with Sen about his film-making process and aspirations. At the time of the symposium, Goldstone (2016) was in post-production and Sen was working on the screenplay for his planned feature, Loveland.

'To open the symposium, Susan Thwaites begins by picking up threads from an earlier conversation she had with Sen.'  (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Axon : Creative Explorations Turning Points : Narratives, Health, and Speaking the Self vol. 8 no. 2 November Jen Webb (editor), Donna Lee Brien (editor), Cassandra Atherton (editor), 2018 15077590 2018 periodical issue

    'The contributions in this issue have been gathered together from various sources including a number of events addressing the themes of this issue. Primarily, these were the Turning Point: Creative Arts and Trauma symposium (University of Canberra, 7 June 2017), and the Narratives of Health and Wellbeing Research Conference (CQUniversity, Noosa campus, 26–27 October 2017). In addition, a series of interviews generated from the ARC-funded project, Understanding Creative Excellence: A Case Study in Poetry (DP130100402) sparked the idea of recruiting more conversations between creative practitioners working in a range of art practices: poetry, prose fiction, film and visual art in particular. Together, these contributions comprise a fascinating, revealing and sometimes provocative collection.' (Editorial introduction)

    2018
Last amended 13 Nov 2018 09:00:47
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