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Issue Details: First known date: 2018... 2018 When Weeping Is a Crime : Writing the 'Wounded Woman' from a Non-Diagnostic Perspective
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AbstractHistoryArchive Description

'The ‘wounded woman’ in fiction has always been a troublesome concept. From the glamorisation of nineteenth-century asylum inmates to the belittling of the contemporary memoirist, the ‘woman who cried pain’ is viewed as either enticing and prophetic or narcissistic and dishonest. For the female writer with a mental disorder, the implication that she should not write of her suffering for fear of cliché is overtly damaging. In ‘A grand unified theory of female pain’, Leslie Jamison discusses the importance of the creative expression of pain, and questions whether it is possible to do so while eluding stigma. I will build on Jamison’s considerations by establishing a fictocritical dialogue between writer and critic, suggesting an avoidance of diagnostic discourse and the shifting of narrative focus towards characterisation that encourages resilience, yet refuses to apologise for or suppress pain.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Axon : Creative Explorations Turning Points : Narratives, Health, and Speaking the Self vol. 8 no. 2 November Jen Webb (editor), Donna Lee Brien (editor), Cassandra Atherton (editor), 2018 15077590 2018 periodical issue

    'The contributions in this issue have been gathered together from various sources including a number of events addressing the themes of this issue. Primarily, these were the Turning Point: Creative Arts and Trauma symposium (University of Canberra, 7 June 2017), and the Narratives of Health and Wellbeing Research Conference (CQUniversity, Noosa campus, 26–27 October 2017). In addition, a series of interviews generated from the ARC-funded project, Understanding Creative Excellence: A Case Study in Poetry (DP130100402) sparked the idea of recruiting more conversations between creative practitioners working in a range of art practices: poetry, prose fiction, film and visual art in particular. Together, these contributions comprise a fascinating, revealing and sometimes provocative collection.' (Editorial introduction)

    2018
Last amended 13 Nov 2018 08:25:39
http://www.axonjournal.com.au/issue-15/when-weeping-crime When Weeping Is a Crime : Writing the 'Wounded Woman' from a Non-Diagnostic Perspectivesmall AustLit logo Axon : Creative Explorations
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