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'When Sara Rose returns to live in her recently deceased grandmother’s Tasmanian cottage, her past and that of her mother and grandmother is ever-present. Sara’s grandmother, Nina Barsova, a Russian post-war immigrant, lovingly raised Sara in the cottage at the foot of Mt Wellington but without ever explaining why Sara’s own mother, Helena, abandoned her as a baby.
'Sara, a geneticist, also longs to know the identity of her father, and Helena won’t tell her. Now, estranged not only from her mother, but also from her husband, Sara raises her daughter, Ellie, with a central wish to spare her the same feeling of abandonment that she experienced as a child.
'When Sara meets an Afghani refugee separated from his beloved wife and family, she decides to try to repair relations with Helena – but when a lie told by her grandmother years before begins to unravel, a darker truth than she could ever imagine is revealed.'
Source: Publisher's blurb.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Long Shadows
2018
single work
review
— Appears in: Australian Book Review , November no. 406 2018; (p. 40)'Half a century ago, the Palestinian writer Edward Said described the state of exile as ‘the unhealable rift forced between a human being and a native place, between the self and its true home’. Its essential sadness, he believed, was not surmountable. The crippling sorrows of exile and estrangement, and the disfiguring legacies of intergenerational trauma, pervade Katherine Johnson’s powerful new novel. At its heart, it is also a poignant exploration of our stumbling efforts to seek solace in the world and the ways in which we attempt to overcome dislocation.' (Introduction)
-
Long Shadows
2018
single work
review
— Appears in: Australian Book Review , November no. 406 2018; (p. 40)'Half a century ago, the Palestinian writer Edward Said described the state of exile as ‘the unhealable rift forced between a human being and a native place, between the self and its true home’. Its essential sadness, he believed, was not surmountable. The crippling sorrows of exile and estrangement, and the disfiguring legacies of intergenerational trauma, pervade Katherine Johnson’s powerful new novel. At its heart, it is also a poignant exploration of our stumbling efforts to seek solace in the world and the ways in which we attempt to overcome dislocation.' (Introduction)
