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y separately published work icon The Lifted Brow periodical issue  
Issue Details: First known date: 2018... no. 39 September 2018 of The Lifted Brow est. 2007 The Lifted Brow
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AbstractHistoryArchive Description

'A memory isn’t a stable artefact, it’s an experience carved from a sea of empirical data to try and prove a rule: if x, then y, because z, and z, and z. We maintain these moments tangentially, relationally, “As long as... not as possible, but as is willed by interested parties.”

'Learning to tell the stories that serve us best necessitates the loss of stories we told before; this negotiation is inherent to narrative. Our brains respond to new data, reconfigure the hierarchy of information, reconstruct the narrative, and move on. A narrative demands that we don’t keep everything.' (Jini Maxwell Editorial introduction)

Notes

  • Only literary material within AustLit's scope individually indexed. Other material in this issue includes:

    Geoengineering: How to fall in love with your snow globe world by Dulaney, Michael

    On the problem of white men (in a 'postmodern' world) by Mark Dean

    A conversation with Leslie Jamison by Madelaine Lucas 

    Big beautiful female theory  by Eloise Grills

    It is once again the summer of my discontent and this is how we do it by Hanif Abdurraqib

    You got the keys keys keys an ODE to Dj Khaled by Marwa Helal

    To renounce awe in something large is to make the large thing touchable by Helal, Marwa; Abdurraqib, Hanif

    Ehmit or owing to the failure of  by Zoe Comyns

    Brow by numbers by Vanessa Gron

    Grace God by Diane Williams

    Consuming homonyms for desirable traits by Nancy Lee

    Mothers by Kim Yi-Seol and translated by Janet Hong

Contents

* Contents derived from the 2018 version. Please note that other versions/publications may contain different contents. See the Publication Details.
No Country, Rebecca Harkins-Cross , single work column

'The Yabba, 1971. My genesis is a panorama of nothing on some faraway blasted plain where the closest thing to life is the way vision warps in the heat. I’d be lying if I were to tell you I remembered anything before this desolation. Who is at home nowhere? This isn't a riddle, it's a failure of imagination.'  (Introduction)

(p. 5-8)
The Critic in the Episode '#metoo', Jana Perkovic , single work column (p. 17-21)
Dawni"Nothing is left of the radiant city.", Mindy Gill , single work poetry (p. 22)
Harbouring Refusal, Chantelle Mitchell , single work prose (p. 69-76)
Each Rock Must Not Be Taken, Phoebe Grainer , single work prose (p. 77)
Trace Adhesive on Plastic, Dimensions Variable, Ainslee Meredith , single work prose (p. 78-80)
New Muslims, New Mosques, Lur Alghurabi , single work prose (p. 109-111)
Foraging, Bridget Lutherborrow , single work prose (p. 115-118)
Tributary, Nadia Bailey , single work autobiography (p. 131, 133)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 24 Aug 2018 11:48:14
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