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Issue Details: First known date: 2018... 2018 Postcard from the Edge : Tom Holloway's beyond the Neck and the Limits of Verbatim
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'When the New South Wales Board of Studies put Tom Holloway’s Beyond the Neck (2007) on the list of prescribed texts for the Year 12 Verbatim Theatre elective, they seemed to be wilfully ignoring the playwright’s statement that the play is not verbatim. On the one hand, the lack of vernacular speech and characters that correspond to real-life people would seem to confirm Holloway’s argument. Conversely, the play’s reliance on interviews, community consultation, bottom-up history and mode of diegetic theatricality would seem to support the Board of Studies’ decision. This article argues that this difference of opinion is due, in part, to a difference of definition: whereas Holloway conceives of verbatim as a genre, the Board of Studies sees it as a practice. To contemplate verbatim as a practice opens the way for new research across theatre, performance, dance, television and film.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australasian Drama Studies no. 72 April 2018 14171521 2018 periodical issue

    '‘I’ve been invited to edit the Australasian Drama Studies journal.’

    ‘Great! How does it rank?’

    'The changing of the guard in the editorship of this journal offers the opportunity to consider its mission, its form, its value and its position in an increasingly challenging and stringent research environment. Here, outgoing editors Julian Meyrick and Meredith Rogers, and incoming editor Yoni Prior, offer thoughts about the past, present and future of Australasian Drama Studies in a moment of transition: between editors; between past and present locations; between print and digital publication; and between positions in the rankings game.   In 1992 I attended my first ADSA conference, at Wollongong University. By then the Association was over ten years old. As a beginner in the academy, I felt I was joining a robust community of scholars with hefty credentials in the history of theatre, textual analysis and the still emerging field of performance studies. But alongside the evident depth and generosity of the scholarship, there was also a sociability and playfulness not always found among researchers, as well as a sense of tradition and continuity so relatively recently established. There were intriguing rumours of fabled events at past conferences, including the existence of a photograph of massed nude theatre scholars on a Western Australian beach, though the evidence has never been sighted by this researcher.' (Rick, Juli Anmey; Prior, Yoni and Rogers, Meredith. Editorial)

    2018
    pg. 100-125
Last amended 16 Jul 2018 11:38:07
100-125 Postcard from the Edge : Tom Holloway's beyond the Neck and the Limits of Verbatimsmall AustLit logo Australasian Drama Studies
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