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'Series Two of the South Australian States of Poetry anthology is edited by Peter Goldsworthy and features poems by Steve Brock, Cath Kenneally, Jules Leigh Koch, Louise Nicholas, Jan Owen, and Dominic Symes.' (Introduction)
Contents
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State Editor's Introduction,
single work
poetry
'Steve Brock began writing in the shadow of the New York school, but in ‘dreaming with Ted Berrigan’ – ‘I can’t remember if he said anything’ – might be saying goodbye to those earlier cool dudes and already anticipating the more variable temperature of South American poetry. He has spent a lot of time in Chile especially, and has translated extensively from the Spanish. Of course, Latin American models are a pretty broad canvas. Just to take the temperature of Chilean poetry – Nicanor Parra is drop-dead cool, Neruda is hot. What seems to be emerging on Steve’s recent work is a relaxed, often laconic style which is heading back home across the Pacific to be its own influence. It is deceptively unrhetorical, but it contains multitudes.' (Introduction)
- Dreaming with Ted Berrigani"I met Ted Berrigan", single work poetry
- Market Dayi"a flock of starlings", single work poetry
- Post Apocalypsei"the day of the storm", single work poetry
- The Windowi"I wake up", single work poetry
- You Only Queue Twicei"standing on the Puente Romano", single work poetry
- Chiaroscuroi"At the National Gallery I pay sixteen outraged pounds", single work poetry
- Meet My Motheri"Sometimes I say I’m going to meet my mother just because", single work poetry
- Roget's Thesaurusi"Peter Roget suffered from depression, disconsolation,", single work poetry
- Stranger Thingsi"One minute the bird is cutting a curve – blue", single work poetry
- T.S. Eliot's Couchi"Send out scouts to track it down and when they do,", single work poetry
- Eulogyi"When a", single work poetry
- Say Cheesei"Friesian cows are leaning", single work poetry
- Midwinter Sketchi"the barb-wired sounds", single work poetry
- Monasteryi"the early morning sky", single work poetry
- First Rough Drafti"I walk through an industrial landscape", single work poetry
- Minor Secondsi"Listening to my own listless heart beating & you", single work poetry
- The Madness of the Dayi"Looking forward to seeing you all day", single work poetry
- Poem for Ai"I sit with you and watch you smoke cigarettes in front of me", single work poetry
- Things I Know to Be Truei"Eating a burrito in the Festival Theatre foyer hair in a half-up half-down", single work poetry
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
State Editor's Introduction
2017
single work
poetry
— Appears in: States of Poetry - South Australia 2017;'Steve Brock began writing in the shadow of the New York school, but in ‘dreaming with Ted Berrigan’ – ‘I can’t remember if he said anything’ – might be saying goodbye to those earlier cool dudes and already anticipating the more variable temperature of South American poetry. He has spent a lot of time in Chile especially, and has translated extensively from the Spanish. Of course, Latin American models are a pretty broad canvas. Just to take the temperature of Chilean poetry – Nicanor Parra is drop-dead cool, Neruda is hot. What seems to be emerging on Steve’s recent work is a relaxed, often laconic style which is heading back home across the Pacific to be its own influence. It is deceptively unrhetorical, but it contains multitudes.' (Introduction)
-
State Editor's Introduction
2017
single work
poetry
— Appears in: States of Poetry - South Australia 2017;'Steve Brock began writing in the shadow of the New York school, but in ‘dreaming with Ted Berrigan’ – ‘I can’t remember if he said anything’ – might be saying goodbye to those earlier cool dudes and already anticipating the more variable temperature of South American poetry. He has spent a lot of time in Chile especially, and has translated extensively from the Spanish. Of course, Latin American models are a pretty broad canvas. Just to take the temperature of Chilean poetry – Nicanor Parra is drop-dead cool, Neruda is hot. What seems to be emerging on Steve’s recent work is a relaxed, often laconic style which is heading back home across the Pacific to be its own influence. It is deceptively unrhetorical, but it contains multitudes.' (Introduction)