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Ordinary Pain: Pilot Script single work   drama  
Issue Details: First known date: 2018... 2018 Ordinary Pain: Pilot Script
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AbstractHistoryArchive Description

'This creative work - an hour-long television pilot "dramedy" screenplay entitled Ordinary Pain – emerges out of a scriptwriting as research project within the academy, and seeks to reposition characters with an intersex variation as 'an everyday social type'. Ordinary Pain is the story of Zoe, a hermaphrodite and creative type based in the bohemian suburbs of the Brisbane postcode of 4101. She is a rare blend of both male and female, and, and is overcoming traumatic experiences of growing up. This subject could be perceived as unwieldy and sad. Yet the core character of Zoe is an extraordinary one, trying to live in the ordinary world with the courage to overcome shame and adversity. Ordinary Pain explores family, gender, sexuality and place in engaging, inspiring and funny ways, and is informed by reflection on and within screenwriting practice.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Website Series Screenplays as Research Artefacts no. 48 April Dallas J. Baker (editor), Craig Batty (editor), 2018 13995105 2018 periodical issue

    'Here the authors discuss the role of fiction in screenwriting practice research. The screenplays included in the ‘Screenplays as Research Artefacts’ special issue of TEXT present a range of stories, worlds, characters, visual scenarios and dialogue exchanges that function as vessels for theories and ideas. These eleven screenplays all use creative practice approaches to research across a wide variety of discourses. All of the works embrace fiction as an important method to convey their respective critical concerns, which, the authors argue, evidences an emerging hallmark of screenwriting (as) research when compared with associated forms in the creative writing and screen production disciplines: fiction as a staple of its storytelling, creative practice and research methodology. The authors suggest that the use of fiction to perform research and present findings illuminates the ways that knowledge can be affective, not merely textual or verbal, something that is exemplified in the selected screenplays.' ( Craig Batty and Dallas John Baker : introduction) 

    2018
Last amended 23 May 2018 12:47:31
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