Writing on Thresholds : Ali Cobby Eckermann’s Inside My Mother

Writing on Thresholds : Ali Cobby Eckermann’s Inside My Mother single work criticism

Author:agent Molly Murn

Issue Details: First known date: 2018... 2018 Writing on Thresholds : Ali Cobby Eckermann’s Inside My Mother

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'This paper considers the aesthetic and material concepts of the threshold as they figure in contemporary Australian poetry, and examines how the threshold can be a productive and generative space in Australian poetics. The metaphor of the threshold as a point of entry or beginning, place of transition, place of exit, rite of passage, or liminal space, speaks to the writer’s imagination as a location of potent creative power. It is here, on the threshold, that a writer gestates ideas, follows the call of the initial creative impulse, and brings her words forth to be shaped. During this (w)rite of passage something new is made. For a writer, being on the threshold is at once a place where she can thresh out ideas (receptive), and the site of creative acts (generative).' (Publication abstract)

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y Coolabah Reimagining Australia no. 24/25 2018 13969346 2018 periodical issue Abstract
'This special double issue of Coolabah, numbers 24&25, was developed from selected presentations at Reimagining Australia: Encounter, Recognition, Responsibility, the International Australian Studies Association (InASA) Conference 2016, hosted by the Centre for Human Rights Education, Curtin University, and held in Fremantle, Western Australia, on 7-9 December. The double issue addresses the urgent need for Australia to be reimagined as inclusive, conscious of its landscape and contexts, locale, history, myths and memory, amnesia, politics, cultures and futures; reimagined via intense conversations and inter-epistemic dialogue; reimagined through different ways of knowing, belonging and doing. Key agendas, polemics and contestations at stake in this two-part publication project are raised in Tony Birch’s thought-provoking article that serves equally as an introductory essay.' (Introduction)
2018
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2018
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pg. 337-351