AustLit

'I write on a laptop, at the kitchen table, even though there’s a perfectly functional study at the front of the house. Looking up from the screen, I’m facing north, gazing through the glass doors to the small courtyard, to the fig tree. The fig tree is netted in the late summer as part of our ongoing battle with the local birds and rats over the sweet juicy fruit that I have been addicted to since childhood. In autumn it begins to discard its leaves until it is a bare, grey-brown skeleton and then it grows them again in spring. By December, its thick shadowy canopy is an oasis under which I can sit with a book and a gin and tonic. This fig tree was grown from a cutting that came from my father-in-law’s tree. That tree was grown from a cutting that made the twenty-nine days trip from Calabria on the ship Australia in 1959. Like the bean seeds sewn into my husband’s toy bear, like the passengers on that ship, that fig tree cutting spawned offspring that are now scattered across the city.' (Introduction)

'‘Accidents happen.’ In the aftermath of a fatal car accident, one of two accidents that frame the narrative of The Bridge, these words are tossed up in the turbulent minds of a grieving relative. But accidents, unlike natural disasters – earthquakes, floods, droughts – don’t just happen. Whether it’s the collapse of the Westgate Bridge or a car crash, accidents are due to human error. Lives are cut short; others are damaged irrevocably. The survivors – family, friends, co-workers – struggle, sometimes for a lifetime, with the fallout: where to apportion blame, how to assuage the guilt, how to survive the trauma? These questions permeate The Bridge, consume the grieving characters, and undermine the whole community living in the shadow of the Westgate Bridge. The stuff of tragedy.' (Introduction)