AustLit

'Stephanie Bishop’s latest novel, Man Out of Time (Hachette, 2018), is a disturbing read. It is also a sophisticated work, particularly in terms of the way the author has managed narrative temporality – that is, the relation between story and time. Other novelists and aspiring writers would do well to look closely at what Bishop has achieved here.' (Introduction)

'Time is fluid in Stephanie Bishop’s new novel Man Out of Time, an intimate portrait of a family breaking down. The narration is split between the points of view of Stella, her mother Frances, and her father Leon. Bishop captures the fluctuations of her characters’ consciousnesses so closely that the reader experiences narrative time in loops and layers as memories are uncovered and reintegrated into her characters’ thoughts. Leon is the man ‘out of time’ as he tries to salvage the family unit; his own perception of time is distorted by mental illness; and he ultimately runs out of time to save his own life.'  (Introduction)

 'Stephanie Bishop’s third novel, Man Out of Time, her most mature work to date, echoes Virginia Woolf’s psychological realism and the claustrophobic intensity of Elizabeth Harrower’s The Watch Tower (1966). Indeed, an unkind reviewer might compare Bishop’s latest novel to a subtle iteration of domestic noir, where the great threat is the family unit and its overbearing figurehead, although the protagonist in Bishop’s world oscillates between wanting to escape her oppressor and feeling deeply wedded to him.'  (Introduction)

'One of Stephanie Bishop’s major preoccupations in her previous novel, 2015’s award-winning The Other Side of the World, is parenthood: the vulnerability it causes and the shifts it brings to identity and one’s deepest longings. One of the two protagonists, depressed Charlotte, thinks of motherhood: “It should be a joy. I should know how to make it a joy. Today, though, the repulsion overwhelms – this need to be alone, away from the children.” The Other Side of the World is a linear narrative but full of emotional shifts heightened by the swings of Charlotte’s mental health and her husband Henry’s nostalgia for a sense of belonging. It’s anchored by Bishop’s exceptional recording of the details of domestic life, and their significance. Her stunning writing and the way she blends the concrete and the ethereal made this earlier novel complex yet accessible.' (Introduction)