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The Unsaid single work   essay  
Issue Details: First known date: 2018... 2018 The Unsaid
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'Despite the detailed excavatory art of the finest biographies, sometimes it takes the alchemical power of fiction to approximate the emotional geography of a single human and his or her milieu. Stephen Orr’s seventh novel, a compelling and at times distressing portrait of a twentieth-century Australian painter and his family, is one such book. Roland Griffin’s resemblance to that of Russell Drysdale is clear from early on, not only through Orr’s descriptions of the type of creator Griffin is – a painter of ‘small towns, deserted pubs ... it was all he knew’ – but also through the portrait of the artist’s troubled son (Drysdale’s only son suicided at the age of twenty-one). Drysdale’s family story obviously worked as a catalyst for Incredible Floridas but rather than chronicling that story itself, Orr employs his own creative divinations to construct a breathing and tactile fictional amalgam from its outlines and contours.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Book Review ABR no. 400 April 2018 13504943 2018 periodical issue

    'A cynic once remarked that an editor needs two things: good grammar and a long memory. But we all know there’s a bit more to it than that. As we prepare to send the April issue to press – the four hundredth in the magazine’s second series – it occurs to me that an editor’s main function is to be a recogniser of expertise, discernment, literary flair – and, more importantly perhaps, courage even, for sometimes it’s needed in this caper.' (Peter Rose : Editorial introduction)

    2018
    pg. 56
Last amended 4 Apr 2018 09:58:44
56 The Unsaidsmall AustLit logo Australian Book Review
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