AustLit

Fotheringham, Richard & Rob Pensalfini. 'Anti-Colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s'. Australasian Drama Studies, no.50, 2007 (pp.49-65).

Hateley, Erica.'Shakespearean Girlhoods in Contemporary Australian Young Adult Fiction'. Actes des congrès de la Société française Shakespeare, v. 33, 2015.

---. Shakespeare in Children's Literature : Gender and Cultural Capital. New York: Routledge, 2009.

---. 'De-colonising Shakespeare? Agency and (Masculine) Authority in Gregory Rogers’s The Boy, The Bear, The Baron, The Bard'. Papers: Explorations into Children's Literature, v.19, no.1 (2009), 59-68. 

---. 'Shakespeare as National Discourse in Contemporary Children's Literature'. Papers: Explorations into Children's Literature, v.13, no.1 (2003), pp.11-24.

MacLeod, Mark. 'Adapting and Parodying Shakespeare for Young Adults: John Marsden's Hamlet' and Andy Griffiths' Just Macbeth!', in A. Mueller (ed.) Adapting Canonical Texts for Children's Literature. London: Bloomsbury, 2013 (pp.77-93).

This section includes articles about international narratives.

Kossew, Sue. 'The Case for Gail Jones' Sorry'. The Conversation, July 22 (2014).

Seales, Julia. '13 Shakespeare-inspired Young Adult Novels'. Bustle.com, (2016).

Hateley, Erica. 'Shakespeare is Child's Play! Picture Books as Theatre in Primary Classrooms'. Practically Primary, v.16, no.2 (2011).