'In this essay, I show that J. M. Coetzee’s Elizabeth Costello is shaped fundamentally by an engagement with Joyce’s Ulysses. However, the relationship between the two does not reveal itself in the rewriting of Joyce’s ‘Penelope’ that Costello’s literary and feminist reputation relies on, but through a range of references to ‘Scylla and Charybdis’, the ninth episode of Ulysses set in the National Library of Ireland and populated exclusively by men. Elizabeth Costello alludes to ‘Scylla and Charybdis’, I argue, because its philosophical dialogue, its dramatic form, its preoccupation with creativity, its investment in the life and reputation of the writer, and its attentiveness to the materiality of writing, offer Coetzee a model for his literary-philosophical experiments of the period. Drawing on archival evidence and published sources, the essay explores the apparent contradiction between Costello’s avowed feminist reclamation of Molly Bloom and the consistent intertextual engagement with ‘Scylla and Charybdis’, positioning the question of gender centrally within Coetzee’s broader engagement with philosophy in this period.' (Publication abstract)