AustLit logo
Issue Details: First known date: 2017... 2017 Witches’ Butter, Golden Spindles, Bell-shaped Mottlegill : The Multiple Identities of the Prose Poem
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'This paper explores the challenge of ineffability, with a focus on prose poetry. It considers the strengths of the prose poem in offering a semantic or communicative means (Spackman 2012) of drawing closer to the unsayable, and situates this exploration in the wider context of apophasis, a centuries-old rhetorical device developed to deal, in language, with what lies beyond language. Investigating the nature and identity of prose poetry, the paper examines a prose poem by Yusef Komunyakaa, discussing its efficacy in relation to an apophatic approach to technique and form. Adopting a creative voice, and weaving prose poetry throughout the discussion, this paper also endeavours to show the overlap of creative process and practice within a research context, executed through the combination of form, idea, reflection and enquiry. In offering an amalgam of prose and poetry, the critical and the creative, this paper is not only reflecting on the situated experience of apophasis with regard to prose poetry, but also actively employing it.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Website Series Prose Poetry no. 46 October Monica Carroll (editor), Shane Strange (editor), Jen Webb (editor), 2017 12944013 2017 periodical issue

    'Just a couple of decades ago, prose poetry occupied a very minor corner of the poetry spectrum, although many major poets have published works in that form. As early as the mid-1970s, anthologies of prose poems were emerging in the USA, but they were preceded by work produced in Europe: the nineteenth-century Romantic Fragment (which was quickly adopted by British Romantics), and then the early twentieth-century experiments, and particularly the poetic avant garde in France. Now it is becoming (almost) a staple; across Australia and internationally, major poets are adding the prose poem form to their oeuvre, and though few dedicated publications yet exist, prose poems are salting the competitions, collections, anthologies and literary journals. International poets too are extending into the prose poem, exploring its affordances.' (Monica Carroll, Shane Strange and Jen Webb: Introduction)

    2017
Last amended 22 Feb 2018 12:04:28
http://www.textjournal.com.au/speciss/issue46/Webster.pdf Witches’ Butter, Golden Spindles, Bell-shaped Mottlegill : The Multiple Identities of the Prose Poemsmall AustLit logo TEXT Special Issue Website Series
Newspapers:
    Powered by Trove
    X