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Mohammed Massoud Morsi Mohammed Massoud Morsi i(12822917 works by)
Born: Established: 1975 ;
Gender: Male
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Works By

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1 Picture of a Peanut Gallery Mohammed Massoud Morsi , 2023 single work short story
— Appears in: Meanjin , Winter vol. 82 no. 2 2023; Meanjin Online 2023;
1 A Mountain Without a Peak Mohammed Massoud Morsi , 2022 single work prose
— Appears in: Another Australia 2022;
1 When Rabbits Scream Mohammed Massoud Morsi , 2022 single work autobiography
— Appears in: Meanjin , September vol. 81 no. 3 2022; (p. 100-104) Meanjin Online 2022;
1 Fellow Traveller in the Shadow of Life / رﻓﯿﻖ اﻟﻤﺴﺎﻓﺮﻓﻲ ظﻞ اﻟﻀﻮء Mohammed Massoud Morsi , 2022 single work poetry
— Appears in: Australian Multilingual Writing Project , 17 October no. 6 2022;
1 Wasta Mohammed Massoud Morsi , 2021 single work short story
— Appears in: Meanjin , September / Spring vol. 80 no. 3 2021; (p. 166-170) Meanjin Online 2021;
1 1 y separately published work icon The Palace of Angels Mohammed Massoud Morsi , Western Australia : Living in the Strange , 2018 16730973 2018 selected work short story

'Years ago, three young men, fired with idealism for Palestine’s second Intifada and fuelled by hashish, ventured on a clandestine transaction that left just one of them standing. Guns from Israel — bound for Gaza — in exchange for Egyptian hashish.

Many years later, the fight for freedom from Israel’s brutal occupation flared into another Israeli onslaught — another ‘war’. Amidst the bombardment of Gaza in 2014 — dreams and miracles were shattered for Farida and Fathi, caught in the clash of religious ideologies and the struggle to wrest or retain power.

At the same time angels brought two hearts together and when these lovers met, as in the Arabic phrase, their eyes saw no flaw. In their first pre-dawn encounter at a checkpoint queue, Adnan and Linah, on opposite sides of authority, had their minds convulsed and their eyes bloodied as a delirious young man was gunned down in the yellow-lit darkness of the night. She was an Israeli soldier on guard, he was a Palestinian commuter. While love blossomed, his friend Ali was served the cruellest of fates to embark down the long dark road of revenge.

What is Past is DeadTwenty-two Years to Life and The Palace of Angels are stories of fighting for freedom by fighting with our defined selves. Behind Palestine’s struggle for self-determination are beautiful faces, not normally revealed in war. We are made to question how we find out who we really are and what we wish to become. They are the stories of the seeds of peace and co-existence, yearning to come to life on both sides of the fence, to break through the overburden of noxious politics.'

Source: Publisher's blurb.

1 Tevy Mohammed Massoud Morsi , 2018 single work essay
— Appears in: Westerly , November vol. 63 no. 2 2018; (p. 156-166)
1 Toqburneh Mohammed Massoud Morsi , 2018 single work prose
— Appears in: Westerly , vol. 63 no. 1 2018; (p. 16-27)
1 The Home of Lost Angels Mohammed Massoud Morsi , 2017 single work prose
— Appears in: Westerly , vol. 62 no. 2 2017; (p. 65-75)

I remember there was a backdrop of colossal nimbus clouds shifting They were painting shifting colours of the dissappearing sun. Lightning bolts  discharged themselves through their mass and in the narrow gap  separating them from the ocean, threads of light crossed in a stitching pattern. A feint rumble hummed across a mirror-cairn sea as her fingers caressed the palm of my hand. With every flash she would gently move them, barely touching my skin. Heavy raindrops fell in slow motion. I felt  her breath on my face as she turned towards me. A series of blight flashes lit the sky like a strobe light. Her irises were round and large and black. Strands of her hair tickled my face. We stared into each other. Closer again. Between every flash there was only our breath,the drumming of scattered drops and an increasingly loud rumble. We became so close we were breathing each other. Another bright flash. Close enough to make us both twitch. Our lips touched, just. As the giant cloud fed on hot moisture, it freed a windshear of cold air which swept across the ocean and up the mountainside to reach us. We nudged closer. Our lips touched again and stayed touching. The drumming intensified. And in the flash that followed our eyes were one. Her fingers stopped moving in my palm. ' (Introduction)
 

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