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Band | Aid single work   poetry   "Animals attack whichever celebrity."
Issue Details: First known date: 2017... 2017 Band | Aid
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Overland no. 229 Summer 2017 12717606 2017 periodical issue

    'This edition has many unusual aspects – Mel Campbell’s desire to understand her 25-year obsession with a low-fi computer game, Michalia Arathimos’s reflection on the 10-year anniversary of her partner being charged with terrorism, Alice Melike Ülgezer’s fictional meditation on the lives of refugees in Turkey, Allan Drew’s examination of the persisting influence of Paradise Lost, first published 350 years ago.' (Jacinda Woodhead, Editorial introduction)

    2017
    pg. 27
  • Appears in:
    y separately published work icon Australian Poetry Anthology Jill Jones (editor), Bella Li (editor), Melbourne : Australian Poetry , 2018 14968224 2018 anthology poetry

    'What could Australian poetry look like at the moment? It could look like any kind of poetry, like any language formed in (mostly) turning lines. It could look like a thousand things. Here, it looks like this: one big picture with countless moving parts. We think it's a good picture. We know it's not the only one, but it's a contribution to a conversation that's always carrying on beyond the moment.' (Bella Li and Jill Jones Foreword introduction)

    Melbourne : Australian Poetry , 2018
    pg. 24

Works about this Work

No More Band-aid Solutions : The Close Reading of a Poem William Fox , 2018 single work essay
— Appears in: Overland [Online] , May 2018;

'Footage of Bob Dylan during the 1985 recording of ‘We are the world’ turned into a meme recently. The footage is great, and it’s the first thing I thought of when I read the title of Aidan Coleman’s poem ‘Band | Aid’ (published in Overland’s summer edition and republished below). The connection made sense because ‘We are the world’ was the US response to Band Aid, a 1984 UK invention famous for ‘Do they know it’s Christmas’.'  (Introduction)

No More Band-aid Solutions : The Close Reading of a Poem William Fox , 2018 single work essay
— Appears in: Overland [Online] , May 2018;

'Footage of Bob Dylan during the 1985 recording of ‘We are the world’ turned into a meme recently. The footage is great, and it’s the first thing I thought of when I read the title of Aidan Coleman’s poem ‘Band | Aid’ (published in Overland’s summer edition and republished below). The connection made sense because ‘We are the world’ was the US response to Band Aid, a 1984 UK invention famous for ‘Do they know it’s Christmas’.'  (Introduction)

Last amended 24 Jan 2018 13:01:27
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