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Issue Details: First known date: 2017... 2017 ‘Deep Hanging Out’ : Native Species Images and Affective Labour
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'This paper investigates the affective labour done by, specifically, native species images in Australian poetry, using Judith Wright's bird poems, and various poems about kangaroos as example. It uses the anthropological term, "deep hanging out", borrowed from an article about fashion models, to extend the idea of affective labour, and to measure poems' attentions to birds and animals, and their relation to iconising as the work of nationalism. It is concerned with cultural capital, and Canberra, and the human empire.'  (Publication abstract)

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    y separately published work icon JASAL Empire/Dissent no. 1 2017 periodical issue

    'Working with the archives of the North American frontier, non-Indigenous historian Richard White noted in 1997: ‘A large chunk of our early documents … are conversations between people who do not completely understand each other. We are connoisseurs of misreadings’ (93). White’s couching remains provocative for literary scholars and writers working in settler cultures—what does it mean to be skilled at misreading? What misreadings does a culture rely on, perpetuate? Is this a way to describe the mechanisms of denial at work in settler overwriting, re-interpreting and rhetoricising of Indigenous points of view and testimony, in so far as they are acknowledged in settler culture? Who is the ‘we’ here, more precisely; who is collected in White’s use of ‘our’?' (Nicole Moore : Editorial introduction)

    2017
Last amended 18 Jan 2018 14:10:13
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