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Issue Details: First known date: 2016... 2016 The Condition of Recognition : Gothic Intimations in Andrew McGahan's The White Earth
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AbstractHistoryArchive Description

'This article discusses the evocation of the Gothic as a narrative interrogation of the intersections between place, identity and power in Andrew McGahan's The White Earth (2004). The novel deploys common techniques of Gothic literary fiction to create a sense of disassociation from the grip of a European colonial sensibility. It achieves this in various ways, including by representing its central architectural figure of colonial dominance, Kuran House, as an emblem of aristocratic pastoral decline, then by invoking intimations of an ancient supernatural presence which intercedes in the linear descent of colonial possession and, ultimately, by providing a rational explanation for the novel's events. The White Earth further demonstrates the inherently adaptive qualities of Gothic narrative technique as a means of confronting the limits to white belonging in post-colonial Australia by referencing a key historical moment, the 1992 Mabo judgment, which rejected the concept of terra nullius and recognised native title under Australian common law. At once discursive and performative, the sustained way in which the work employs the tropic power of Gothic anxiety serves to reveal the uncertain terms in which its characters negotiate what it means to be Australian, more than 200 years after colonial invasion.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Queensland Review vol. 23 no. 1 June 2016 12016999 2016 periodical issue

    'This issue's cover image, ‘Parallel Universe: Stones Corner’, comes from the Museum of Brisbane exhibition, Navigating Norman Creek. Trish FitzSimons created a series of short documentaries that reveal the natural and social ecosystems sustained by Norman Creek, even as the city encroaches ever closer and more densely. The overhanging branches of her arresting image form a barrier that protects the stream, its wildlife and the local people who use the creek for recreation and dreaming. It also suggests that this place has survived because there is something impenetrable about it. This image sets up a theme about habitat and dwelling that loosely links the essays in this issue.' (Editorial introduction)

    2016
    pg. 84-94
Last amended 13 Oct 2017 12:30:15
84-94 The Condition of Recognition : Gothic Intimations in Andrew McGahan's The White Earthsmall AustLit logo Queensland Review
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