AustLit logo

AustLit

image of person or book cover 3735368895083178879.jpg
Screen cap from promotional trailer
form y separately published work icon 1% single work   film/TV  
Issue Details: First known date: 2017... 2017 1%
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'While Knuck (screenwriter Nable, known in North America for his role on the series Arrow) has been in prison, his surrogate son, Mark, nicknamed "Paddo" (the charismatic Ryan Corr, Hacksaw Ridge) has minded the store. Paddo has modernized the activities of the club, expanded their enterprise, and brought in new members — all endeavours that threaten Knuck's position on his return. Both men are supported and influenced by their equally strong wives, each woman as rabidly ambitious for her husband as for herself. Tensions mount when Paddo's younger brother, Skink (Josh McConville), creates a problem for the club, and Paddo must choose between familial devotion or loyalty to Knuck and the club he heads.'

Source: Toronto International Film Festival (http://www.tiff.net/tiff/1/). (Sighted: 13/09/2017)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • c
      Australia,
      c
      :
      See Pictures ,
      2017 .
      image of person or book cover 3735368895083178879.jpg
      Screen cap from promotional trailer
      Extent: 92min.p.

Works about this Work

Why Is Australia so Keen to Reward Films Full of Staggering Misogyny? Andy Hazel , 2018 single work criticism
— Appears in: The Guardian Australia , 30 November 2018;

'The passion projects of the Australian film industry are overwhelmingly produced by men – and overwhelmingly tell stories that debase women.' (Introduction)

Matt Nable : Playing the Percentages David O'Connell , 2018 single work column
— Appears in: FilmInk , 10 October 2018;
Ryan Corr : Riding with the 1% Gill Pringle , 2018 single work column
— Appears in: FilmInk , 21 May 2018;
2018 : Australian Film Focus : 1% Travis Johnson , 2018 single work column
— Appears in: FilmInk , 17 January 2018;
2018 : Australian Film Focus : 1% Travis Johnson , 2018 single work column
— Appears in: FilmInk , 17 January 2018;
Ryan Corr : Riding with the 1% Gill Pringle , 2018 single work column
— Appears in: FilmInk , 21 May 2018;
Matt Nable : Playing the Percentages David O'Connell , 2018 single work column
— Appears in: FilmInk , 10 October 2018;
Why Is Australia so Keen to Reward Films Full of Staggering Misogyny? Andy Hazel , 2018 single work criticism
— Appears in: The Guardian Australia , 30 November 2018;

'The passion projects of the Australian film industry are overwhelmingly produced by men – and overwhelmingly tell stories that debase women.' (Introduction)

Last amended 12 Nov 2018 12:46:40
X