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'While Knuck (screenwriter Nable, known in North America for his role on the series Arrow) has been in prison, his surrogate son, Mark, nicknamed "Paddo" (the charismatic Ryan Corr, Hacksaw Ridge) has minded the store. Paddo has modernized the activities of the club, expanded their enterprise, and brought in new members — all endeavours that threaten Knuck's position on his return. Both men are supported and influenced by their equally strong wives, each woman as rabidly ambitious for her husband as for herself. Tensions mount when Paddo's younger brother, Skink (Josh McConville), creates a problem for the club, and Paddo must choose between familial devotion or loyalty to Knuck and the club he heads.'
Source: Toronto International Film Festival (http://www.tiff.net/tiff/1/). (Sighted: 13/09/2017)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Why Is Australia so Keen to Reward Films Full of Staggering Misogyny?
2018
single work
criticism
— Appears in: The Guardian Australia , 30 November 2018;'The passion projects of the Australian film industry are overwhelmingly produced by men – and overwhelmingly tell stories that debase women.' (Introduction)
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Matt Nable : Playing the Percentages
2018
single work
column
— Appears in: FilmInk , 10 October 2018; -
Ryan Corr : Riding with the 1%
2018
single work
column
— Appears in: FilmInk , 21 May 2018; -
2018 : Australian Film Focus : 1%
2018
single work
column
— Appears in: FilmInk , 17 January 2018;
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2018 : Australian Film Focus : 1%
2018
single work
column
— Appears in: FilmInk , 17 January 2018; -
Ryan Corr : Riding with the 1%
2018
single work
column
— Appears in: FilmInk , 21 May 2018; -
Matt Nable : Playing the Percentages
2018
single work
column
— Appears in: FilmInk , 10 October 2018; -
Why Is Australia so Keen to Reward Films Full of Staggering Misogyny?
2018
single work
criticism
— Appears in: The Guardian Australia , 30 November 2018;'The passion projects of the Australian film industry are overwhelmingly produced by men – and overwhelmingly tell stories that debase women.' (Introduction)