'These days the release of a new Kim Scott novel feels like a literary event. It wasn’t always this way. His first two books, True Country (1993) and Benang (1999), established him more as a writer’s writer: a brilliant, if raw, voice calling to us from across the Nullarbor. But with his previous book, the gobsmacking That Deadman Dance (2010), Scott announced himself as the country’s most important novelist.
'It was a book that took a fresh look at Australia’s past. We had the typical scenes of first contact as white settlers arrived in Albany and began to alienate Aboriginal land, yet in Scott’s telling this didn’t devolve into violence.' (Introduction)