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Issue Details: First known date: 2017... 2017 Indigenous Creative Practice Research: between Convention and Creativity
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AbstractHistoryArchive Description

'This article addresses some critical issues in the research environment of Aboriginal and Torres Strait Islander candidates at Australian universities. It will be useful to non-Indigenous supervisors of Indigenous students, as well as Indigenous students considering the different kinds of creative practice projects possible at postgraduate level. The article examines the nexus between Indigenous knowledge and creative practice research. The significance of this relationship becomes more apparent with increasing participation of Indigenous creative practitioners in postgraduate education. By drawing on our experience as supervisors of PhD- and MA-level higher degrees with Aboriginal and Torres Strait Islander candidates, we discuss some of the issues that may arise for supervisors and Indigenous researchers in creative practice research environments. Through Indigenous candidates’ creative projects, we argue these works provide insights into the existing conventions of practice, knowledge and research in Western education. Thus, we demonstrate how Indigenous knowledge has contributed to creative practice research, and broadened its horizons and methods of inquiry.' (Abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon New Writing vol. 14 no. 3 2017 11713345 2017 periodical issue

    'In order to function, your imagination employs an intensity of feeling. It can function only through such intensity because it needs to create, only from your memories, emotions, knowledge and perceptions, representations of activities and things that are not immediately present and not therefore accessible to your senses.

    'Your imagination’s intensity of feeling is empowered by your emotions. Emotions are widely shared human assessments, psychological and physiological reactions to events, people, experiences, the world, thoughts. Your feelings are how such emotions are individually described by you. Two people can have similar psychological and physiological reactions and one of them might describe the feeling as ‘love’ and the other person describe the feeling as ‘affection’. Because the imagination is key to creative writing, the place of feeling is heightened and your individual interpretation of emotions (yours and those of others) is therefore essential to creative writing.' (Editorial)

    2017
    pg. 409-422
Last amended 6 Sep 2017 14:33:48
409-422 Indigenous Creative Practice Research: between Convention and Creativitysmall AustLit logo New Writing
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