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y separately published work icon Stories : The Collected Short Fiction selected work   short story  
Issue Details: First known date: 2017... 2017 Stories : The Collected Short Fiction
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AbstractHistoryArchive Description

'This handsome hardback edition of Helen Garner’s collected short fiction celebrates the seventy-fifth birthday of one of Australia’s most loved authors. These stories—that delve into the complexities of love and longing, of the pain, darkness and joy of life—are all told with her characteristic sharpness of observation, honesty and humour. Each one a perfect piece, together they showcase Garner’s mastery of the form.' (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Text Publishing , 2017 .
      image of person or book cover 563673255231135499.jpg
      Image courtesy of publisher's website.
      Note/s:
      • Published November 2017

      ISBN: 9781925626179

Other Formats

Works about this Work

A Gallery of Truths Jody Marie Hassel , 2019 single work review
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 169-171)

— Review of Stories : The Collected Short Fiction Helen Garner , 2017 selected work short story

'Helen Garner needs no introduction. Likewise her stories in this collection emerge on the page without guide, without preface, with no prologue, no opening referential epigraph. Garner's table of contents, like a menu of courses, displays fourteen curated tales. Each story—depicting separate sets of lives, people, ranging literary points of view, and diverse dialects—may stand alone, and yet the collection's sequence makes a perfect complement. While no overt analysis need be made of the presented order, its unfolding progression satisfies by occasional return to familiar inflection, texture, flavor, pang.' (Introduction)

With Garner, Absence Imparts the Essence Gretchen Shirm , 2017 single work review
— Appears in: The Weekend Australian , 11 November 2017; (p. 20)

'In her 1996 essay 'The Art of the Dumb Question', Helen Garner recalls bragging to friend Tim Winton that she had written a 200-word 'syntact­ically perfect sentence'. 'He scorched me with a surfer’s stare,' she writes, 'and said, ‘I couldn’t care less about that sort of shit’.' It’s an illuminating anecdote about the differ­ent approaches taken by two of our great writers.' (Introduction)

A Gallery of Truths Jody Marie Hassel , 2019 single work review
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 169-171)

— Review of Stories : The Collected Short Fiction Helen Garner , 2017 selected work short story

'Helen Garner needs no introduction. Likewise her stories in this collection emerge on the page without guide, without preface, with no prologue, no opening referential epigraph. Garner's table of contents, like a menu of courses, displays fourteen curated tales. Each story—depicting separate sets of lives, people, ranging literary points of view, and diverse dialects—may stand alone, and yet the collection's sequence makes a perfect complement. While no overt analysis need be made of the presented order, its unfolding progression satisfies by occasional return to familiar inflection, texture, flavor, pang.' (Introduction)

With Garner, Absence Imparts the Essence Gretchen Shirm , 2017 single work review
— Appears in: The Weekend Australian , 11 November 2017; (p. 20)

'In her 1996 essay 'The Art of the Dumb Question', Helen Garner recalls bragging to friend Tim Winton that she had written a 200-word 'syntact­ically perfect sentence'. 'He scorched me with a surfer’s stare,' she writes, 'and said, ‘I couldn’t care less about that sort of shit’.' It’s an illuminating anecdote about the differ­ent approaches taken by two of our great writers.' (Introduction)

Last amended 21 Aug 2019 09:00:30
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