AustLit

'During a brush with fame a couple of years ago when my first book was published, I was asked in an interview whether poetry is possible in Perth. I thought this was an interesting question, especially – given that my book was a small volume of verse – as it contained the not so subtle dismissive, ‘how can you call your poetry real poetry if it’s written and published in a place where the question, is poetry possible here, can seriously be asked of a poet?’ Would such a question be asked of a Sydney poet for instance, or a Melbourne poet? I can’t deny that it infuriated me. I was even more infuriated by my glib reply – poetry is possible wherever people live and love, work and die. I came up with that lame answer because I couldn’t think of an answer, and in a panic seemed to confirm a dreadful truth implicit in the question. That no, Perth is such a soul-suckingly barren place, the lives lived here so inauthentic and rootless, that all the poetry written here never was, and could never have been, real poetry.' (Introduction)

'The construction boom in West Australia’s mining industry a few years ago resulted in a lot of new money sloshing around Perth, the much commented upon demographic of CUBs (Cashed Up Bogans) and their vulgar conspicuous consumption rashing the landscape. Less commented upon but just as important was a flourishing cottage industry of small poetry presses which cropped up like a carpet of wildflowers on a neglected reserve. For an all too brief couple of years, West Australia’s quiet toiling poets found themselves spoilt for choice for publication. Mulla Mulla Press, Sunline Press, Regime Books, along with a number of in-house anthologies of very mixed quality from the handful of writing centres around Perth (Katharine Susannah Pritchard, OOTA, Peter Cowan), as well as the mainstays of Westerly, UWA and Fremantle Press, meant a bit of schmoozing, a bit of hustling was all it took for many of us to get a book or two published in that time. Now that the roaring days are over and austerity is biting hard, many of those lovely wildflowers have died off (though Mulla Mulla, under the proprietorship of Kalgoorlie literary doyenne Coral Carter still continues). It’s interesting to reflect that most of the activity was poetry. There was a bit of prose, but almost no criticism. There is something naked and unprotected about poetry in its wild state, so it was inevitable the phenomenon would pass quickly. It remains for historians (all poets are historians) to examine some of the flowers that were pressed.' (Introduction)

'Some readers may not be aware that this is a posthumous collection: sadly, Lyn Hatherly passed away in 2016. At the back of Many, and One, there is a biography of Lyn, so I don’t need to go through her life story in any great detail. But there are a number of things from that biography that I would like to take a few moments to highlight.' (Introduction)

'This collection illustrates Thea Astley’s rarely acknowledged passion for poetry. The way verse contributed to her development as an Australian literary icon is often overlooked, let alone documented so insightfully. Editor, Cheryl Taylor, has compiled Selected Poems in so that Astley’s writing seems unearthed, precious and intimate. The poems are arranged in chronological order, along with careful biographical notes, documenting Astley’s growth from schoolgirl to celebrated and cerebral author. By tracing her making through her poems, the collection shows the formative writing processes that led to her renowned style. The book is an unfurling of Astley’s progress, in both writing and living.' (Introduction)

'Magdalena Ball’s Unmaking Atoms, her second full-length collection, is a prodigious and often heart-wrenching array of poems, speaking to themes of loss and grief. In the ninety-two, generally short pieces, Ball projects an astounding breadth of knowledge, particularly in science, and mines this in unique and skillful ways.' (Introduction)

'“Andy Jackson is such an important poet writing about a topic so deeply important to me: the othered body. I think this is his best book to date and I was so privileged to have launched it. Read the speech, then read the book!” -Heather Taylor Johnson'

'It is an honour and special pleasure to be given the role of launching (a little belatedly) Jakob Ziguras’s new and second book of poems The Sepia Carousel. Jakob and I will shortly converse about the book, and Jakob will then read a number of poems. However, to begin with I will say a few words as a way of introducing The Sepia Carousel.' (Introduction)

As patron of the 2017 Perth Poetry Festival Amanda Joy delivered the 2017 Festival Keynote address on 17 August at the Northbridge Piazza Community Room.

'What a gathering in this wonderful environment of books and music and art, and what a great honour for Carol that you have taken the time to be with her to celebrate.' (Introduction)