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No Poem for Weeks Now single work   poetry   "Nothing for weeks, no urgent need,"
Issue Details: First known date: 2017... 2017 No Poem for Weeks Now
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All Publication Details

  • Appears in:
    y separately published work icon Cordite Poetry Review No Theme No 6 vol. 80 1 May 2017 11328177 2017 periodical issue

    'It was a great privilege, if a little overwhelming (I had about 1,800 poems to read), to edit this edition of Cordite Poetry Review and, as it is not themed, I had the luxury of choosing poems on various subjects. I have tried to make the issue varied but also unified by my aesthetic principles. I am one of those poets who believe aesthetics are important, that an over-heated experimental or exploratory approach, or a poetics that privileges linguistic flux over emotional stability or response, can take us away from the deep connection that language has with the body. This is one reason why I have an affection for the lyric, and I do not hold to the assumption that the poet does not exist, or that the movement inwards, towards subjectivity, is innately problematic. From the body we get idiosyncrasies of rhythm, music, voice, sensual knowledge, syntactical deportment, emotion and ideas. No-one who writes a poem is ever disembodied, though sometimes it can seem as if they are, given the overabundance of abstraction and linguistic imprecision that occurred in many of the poems I read for this issue.' (Judith Beveridge : Editorial introduction)

    2017
  • Appears in:
    y separately published work icon Southerly Festschrift : David Brooks vol. 78 no. 1 2018 15258682 2018 periodical issue

    'This issue of Southerly pays tribute to David Brooks, who is retiring as editor after two decades’ stewardship. It includes poetry, fiction, essays and memoir that interweave readings of David’s work with accounts of the various literary communities that David has worked in over four decades from Canberra to North America, Perth, Slovenia, Sydney and now, Katoomba. Together, these pieces create a world of a very specific kind, one populated by words and word people and the currents between them in specific times and places. They also enable us to draw out recurrent themes and practices.

    'The issue is a tribute and a celebration of a creative literary life. We are reminded of the etymology of the word text, from weaving. The issue shows one remarkable textual practice that weaves through the literary page and daily life to community and culture, including this journal. The issue also includes unthemed work across all categories including reviews.' (Editorial introduction)

    2018
    pg. 136
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