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y separately published work icon Cultural Studies Review periodical issue   peer reviewed assertion
Alternative title: Mobilities
Issue Details: First known date: 2017... vol. 23 no. 1 2017 of Cultural Studies Review est. 2002 Cultural Studies Review
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'This issue of Cultural Studies Review features a number of outstanding essays and a special section concerned with ‘Media, Mobilities and Identity in East and Southeast Asia’. Ben Highmore’s essay is a future directed and poetic evocation of a more peripatetic cultural studies. Although he re-stages the serendipity of wandering, Highmore also wants to return to familiar places. The ‘Birmingham’ of this piece is one that he hopes is foreign and unfinished. It’s a compelling exploration because it addresses a need to locate collective resources that might help build emotional and practical bulwarks against instrumentality. It’s also an essay arising from an engagement with everydayness which hopes to explore how that particularity might connect with other imaginaries and open up forms of generality and connection. In this sense, the resonance of peripatetic calls up the non-institutionalised meanderings of activists, non-human actants and the precariat that also enliven cultural studies.' (Chris Healy, Katrina Schlunke, Editorial introduction)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
An Ageless Vision : Ngaanyatjarra Late-Life Art and Country, Sue Kneebone , single work essay
'The vibrant and ethereal paintings created by elderly Ngaanyatjarra artists enable them to travel back to Country despite residing in an aged-care facility. This is the focus of Wanarn Painters of Place and Time, an insightful interdisciplinary collaboration by art historian David Brooks and anthropologist Darren Jorgensen, whose long association with the Ngaanyatjarra people in the Western Desert is reflected in their familiarity with the artists’ life stories and knowledge of Country. Wanarn community, in far Western Australia near the border with the Northern Territory and South Australia, is situated on an old Ngaanyatjarra campground close to the dreaming track of the Kungkarrangkalpa Tjukurrpa or Seven Sisters Dreaming. Wanarn’s aged-care facility accommodates residents from Docker River, Warburton and Warakurna. Among the various activities provided to residents is a weekly painting program conducted by the nearby Warakurna Arts centre. In this fascinating volume, Brooks and Jorgensen argue that the enigmatic paintings produced by elders in these classes are an expression of ‘tjukurrpa-thinking in action’. ' (Introduction)
Indigenous Radio and the Cultural Politics of Voice, Åse Ottosson , single work essay
Research of sound as culturally and socially productive in human life is becoming increasingly sophisticated with contributions from scholars in media and communication studies, cultural studies, anthropology and ethnomusicology. In The Voice and Its Doubles, anthropologist Daniel Fisher draws on work with Aboriginal radio stations in Brisbane (4AAA) and Darwin (TEABBA) to build several arguments around three key imperatives that he finds underwrite Indigenous audio media production: ‘giving voice, sounding black, and linking people up’. (4) One main argument Fisher presents is that the emergence of Aboriginal Australian media production since the 1980s has produced ‘a particular sedimentation in sound of a rich politics’ (2) in which voice, race and agency are simutaneously intimately entangled and fragmented by audio technologies, the institutions of the settler state and Indigenous activism. A related argument is that the ‘ideology of voice’ reproduced in Aboriginal media organisations ‘must be drawn through audio media’s power to both amplify and unsettle the voice and the character of its bearer’. (16) Fisher sets out to disentangle the expressive, technological and institutional dimensions of these arguments about Aboriginal voice, sound and expressivity via the concept of mediatisation. Using a range of literature familiar to scholars in culture and media theory (such as Bakhtin, Briggs, Derrida, Goffman, Althusser, Bourdieu), Fisher approaches voice as sound that is always already mediated, always to some extent removed from the speaking body, and always somehow staged in and through audio technology, politics, activism and sociality.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 6 Jun 2017 09:55:37
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