AustLit logo

AustLit

y separately published work icon Australian Book Review periodical issue  
Alternative title: ABR
Issue Details: First known date: 2017... no. 389 March 2017 of Australian Book Review est. 1961 Australian Book Review
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
'To Know My Crime' by Fiona Capp, Gretchen Shirm , single work criticism
‘Described as ‘modern literary noir’, Fiona Capp’s novel delves deeper into the psychology of its characters than most in the genre. The opening is sleek and pacey, as Capp guides us expertly through the central intrigue.’ (Introduction)
(p. 52)
'Barking Dogs' by Rebekah Clarkson, Tali Lavi , single work criticism
‘Mount Barker, its surrounding environs and proliferating estates, might be situated in volcanic territory for all the ferocious eruptions of violence that occur in Rebekah Clarkson’s collection of stories, Barking Dogs. The demographic is noticeably white Australian. In ‘Dancing on Your Bones’, a loathsome consultant suggests the government develop the Summit – a sacred site – in response to a native title claim and name it ‘Peramangk Estate’. The physical absence of other ethnicities is stark throughout Clarkson’s book; even the Summit itself seems invisible to those living at its base.’ (Introduction)
(p. 52)
Psych Ward, Gig Ryan , single work criticism
‘Since Michael Dransfield’s death at the age of twenty-four in 1973, there have been two books of poems, a Collected Poems (1987), a study of his generation, Parnassus Mad Ward (Livio Dobrez, 1990), as well as Michael Dransfield’s Lives: A sixties biography (Patricia Dobrez, 1999), and John Kinsella’s Michael Dransfield: A retrospective (2002). Unlike other poets who died too young, such as Charles Buckmaster (1951–72), Dransfield had cultivated an older, more established group of poets who ensured that his many poems would be issued posthumously.’ (Introduction)
(p. 52-53)
Grimm Parcels, Elisabeth Holdsworth , single work criticism
‘Valerie Murray, born Valika Morelli in Hungary during World War II and, for the past half century, wife of poet Les Murray, has written an enchanting memoir of her early life in Europe and Australia. The description ‘enchanting’ is used deliberately. The brothers Grimm and their terrifying tales are deployed throughout the work. The metaphor extends to the writing style – spaced paragraphs of fractured nightmarish episodes interspersed with mordant humour.’ (Introduction)
(p. 54)
A Perfect Storm, Robert Reynolds , single work criticism
'The rash of unsolved murders of gay men along the Sydney coastline during the 1980s and early 1990s has been in the news again. In 2013, Australian Story ran a feature on the quest of American Steve Johnson to have the coronial ruling of suicide overturned for his younger brother Scott, who died at North Head in 1988. Lateline followed up with a controversial interview with Detective Chief Inspector Pamela Young of the Unsolved Homicide Unit, who had been tasked to re-investigate Johnson’s death. Young was smartly removed from the investigation after intimating that Steve Johnson had exerted political pressure to have his brother’s case prioritised, a suggestion Johnson and the New South Wales Police Minister flatly rejected. Late last year, to considerable fanfare, SBS screened a four-part drama series, Deep Water: The real story, a companion documentary and online investigation into the murders of gay men around Bondi Beach and the eastern suburbs. (Addendum: on 30 January, the New York Times published an article entitled 'When gangs killed gay men for sport: Australia reviews 88 deaths'.)' (Introduction)
(p. 55)
Lost Cause, Nick Hordern , single work criticism
‘The idea that the world faces a second Cold War started out as hyperbole, but by 2016 it was sounding increasingly plausible. For more than a decade, Moscow, under the leadership of Vladimir Putin, had been waging a diplomatic, political, and military campaign to restore Russian power – in the Caucasus, in Ukraine, and in Syria. In the West this has usually been portrayed as unprovoked aggression, but Tony Kevin takes the opposing view. It is the West, he argues, which has behaved aggressively towards Moscow.’ (Introduction)
(p. 58)
The Only Leaf, John Funder , single work criticism
‘Good general practice is the cornerstone of a good healthcare system: Australia is blessed with both. Leah Kaminsky has been a Melbourne general practitioner for three decades and by her own explicit admission wrote We’re All Going to Die as a way to address her own fear of death. Her beloved mother was ‘the only leaf left dangling from her charred family tree, having survived the horrors of Bergen-Belsen’. She emigrated to Australia with a single suitcase and a butterfly marcasite brooch, now worn by Kaminsky in remembrance. Kaminsky’s parents met in Melbourne, worked hard, made do, like many in the Jewish community. They wanted Kaminsky to become a lawyer, where her capacity of empathy may have been stifled, wasted. Fortunately, she chose to do medicine. Thousands of patients in Melbourne have every reason to applaud her choice.’ (Introduction)
(p. 60)
[Review Essay] Lion, Tim Byrne , single work essay (p. 67)
[Review Essay] Jasper Jones, Andrew Nette , single work essay (p. 68)
X