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A History of Zero sequence   poetry  
Issue Details: First known date: 2016... 2016 A History of Zero
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Includes

00
Obol i "Obol the coin which beggars", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 28)
01
A Hint i "Hanging in its waxy ways,", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 29)
02
The Zero Waits i "I sidled so close to the numbers", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 30)
03
Moors Come Bearing Zeros i "Wrapped inside rolled carpets, puffed by careful caliphs,", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 30)
04
Venice 1299 i "The Doges; ban on the use of zero, the place marker,", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 31)
05
Good for Nothing i "nothing shared is nothing gained", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 31)
06
Portal i "Keats glances off, shy of understanding", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 32)
07
India's Patent Application i "Mr Ravi Kunnar Kenneti, representing India has filed", Carol Jenkins , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 32)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Poetry Journal vol. 6 no. 2 2016 10746477 2016 periodical issue

    'For this issue of the Journal, my last as editor, I turn some focus on Tasmanian poetry. This follows the commissioning of an essay by Chris Ringrose on an outstanding Tasmanian publisher. I've foregrounded poems received from Tasmanian poets, and I gained permission by Tasmanian artist Julia Castiglioni Bradshaw for use of an image from one of her paintings for our cover. I could have included more Tasmanian poets, but a good three-quarters of the poetry content of the Journal has its origins elsewhere.' (Foreword : Introduction)

         2016     pg. 28-32
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()
Last amended 21 Feb 2017 12:42:07
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