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Issue Details: First known date: 2015... 2015 The Anzac Legend and Australian National Identity One Hundred Years After the Great War
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AbstractHistoryArchive Description

'Tomasz Gadzina, takes on the subject of the Anzac legend, analysing the figure of the "bushman" or "digger" as the prototype of the Australian soldier, as depicted during and after the Great War. Gadzina notes that although the image of the Anzac soldier was not exactly uniform, it nevertheless represented a blueprint for the formation of a national identity that was in many respects exclusive and that foreclosed the possibility of other narratives, for which reason it has come under attack from several directions.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Re-Imagining the First World War : New Perspectives in Anglophone Literature and Culture Anna Branach-Kallas (editor), Nelly Strehlau (editor), Newcastle upon Tyne : Cambridge Scholars Press , 2015 10692123 2015 anthology criticism

    'In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts.

    The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish.

    'The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.' (Publication summary)

    Newcastle upon Tyne : Cambridge Scholars Press , 2015
    pg. 234-246
Last amended 3 Feb 2017 10:30:34
234-246 The Anzac Legend and Australian National Identity One Hundred Years After the Great Warsmall AustLit logo