AustLit

'I count myself lucky. Weird, I know, in this day and age when all around us the natural and political world is going to hell in a handbasket. But that, in fact, may be part of it.

'Back when I started writing, realism had such a stranglehold on publishing that there was little room for speculative writers and readers. (I didn’t know that’s what I was until I read it in a reader’s report for my first novel. And even then I didn’t know what it was, until I realised that it was what I read, and had always been reading; what I wrote, and wanted to write.) Outside of the convention rooms, that is, which were packed with less-literary-leaning science-fiction and fantasy producers and consumers.'  (Introduction)

'Six years ago, The Stella Prize burst onto the Australian literary scene with an air of urgency. The A$50,000 award was the progeny of the Stella Count – a campaign highlighting the under-representation of women authors in book reviews and awards lists. In the years since, the prize has challenged the gendered ways in which we think about “significance” and “seriousness” in literature.' (Introduction)

'Krissy Kneen is shortlisted for the 2018 Stella Prize for her novel An Uncertain Grace. In this special Stella interview, Krissy shares what inspired her writing, the future possibilities of technology for driving empathy and understanding, and the Australian women writers who spur her on.'

'Fret not, lonely hearts, there are plenty more fish in the sea. Are there? This homily is usually rolled out to console the broken-hearted, to persuade them that the tides will soon wash up an acceptable substitute for their lost love. The Plenty of Fish online dating megasite boasts over three million active daily users, which suggests that the line works as a hook for those seeking love, companionship, romance or sex. It’s a figure of speech that might soon become obsolete.' (Introduction)