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'Instead of a downtrodden victim dogged by goons and government officials, in 'The Mule' we see a drug smuggler with the guts to 'hold on' and extract himself from his sticky situation. According to David Crewe, the film also reveals some clever cross-genre writing, a commentary on Australian inertia and a keen ability to capitalise on new film-distribution opportunities.'
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Last amended 20 Dec 2016 08:53:23
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