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Source: State Library of Victoria
Adaptation of The White Fawn ; Or, The Loves of Prince Buttercup and the Princess Daisy F. C. Burnand , 1868 single work musical theatre
Issue Details: First known date: 1874... 1874 The White Fawn; Or, The Loves of Prince Buttercup and the Princess Daisy : An Entirely New Spectacular Extravaganza (in prologue and two acts)
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AbstractHistoryArchive Description

Adapted from Francis Cowley Burnand's extravaganza of the same name (1868). The Age critic writes of Walch's adaptation:
The general dissatisfaction resulting from [the company's] efforts must be accounted for on the principle of ex nihlo nihil fit. Burlesque writing, in fact, seems a lost art, and must remain so til another Planche becomes famous... [but] the ladies of the company were well received as they appeared on the scene, and the approval of the audience was frequent during the evening as song after song was given, and tableau followed tableau" (8 June 1874, 3).
The plot sees Princess Daisy is cursed by Furibund so that she will be turned into a white fawn if she sees daylight before her sixteenth birthday. The Prince unwittingly wounds her in that shape, and so she becomes a fawn at night. After many adventures the curse is lifted. The production contained references to Melbourne politics and personalities.

[Source: Australian Variety Theatre Archive]

Production Details

  • 1874: Theatre Royal, Melbourne; 6-20 June.

    • Producer/Lessee. Harwood, Stewart, Hennings and Coppin; Scenic Art John Hennings and Henry Holmes; Music Arranger Frederick James Coppin; Choreographer Mons. Massartic and Duvalli Sisters; Costumes Mrs Hancock.
    • Cast incl. Clara Thompson (Prince Buttercup), Docy Stewart (Princess Daisy), Maggie Stewart, Blanche Stammers, Jenny Bryce, Katherine Russell, Rosalie and Heloise Duvalli, J. R. Greville, Richard Stewart, John Dunn, Harry Sefton, Charles H. Taylor (Mesrour), Harry Leston.
    • 13 performances.

Publication Details of Only Known VersionEarliest 2 Known Versions of

PeriodicalNewspaper Details

Note:
This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive
Last amended 10 Oct 2014 12:46:29
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